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  },\r\n          {\r\n            \"cont\": \"<p>Our last Field Trip was a joint exploration of landscape, monastic life, and artistic perspectives.<\/p><p>For two days we joined artists, alumni, and local hosts in search of spiritual traces in the border region. The journey took us from the hilly Epen to the historic monastery village of Steyl \u2013 a place that has been an important center for various missionary orders since the 19th century and is still home to active monastic communities today.<\/p><p>\u00a0<\/p><p>We started on Wednesday morning in Epen (NL) with an 8-km \u201cSpirit Hike\u201d led by Agata Siwek, Alumni of Borderland 2024, and Toon Hezemans, Artitst and Director of the Dutch Mountain Film Festival. The route led through forest-lined hills, while Agata and Toon shared different stories and perspectives on \u201cspirit and spirits\u201d \u2013 from tales of nature spirits to personal experiences from the worlds of art and mountain film.<\/p><p>\u00a0<\/p><p>For lunch, Agata prepared a vegetarian bigos, a traditional Polish \u201cmountain meal,\u201d which provided warmth and community along the way. After coffee, tea, and small snacks, we reached our next destination in the afternoon: the Kloosterdorp Steyl near Venlo.<\/p><p>There we stayed in simple single rooms in one of the five monasteries still in operation. The special atmosphere of the place\u2014characterized by silence, rituals, and a long history of missionary work\u2014provided the setting for the evening.<\/p><p>\u00a0<\/p><p>After dinner, we met with artist Krien Clevis, who had already led an artists' project in Steyl in the 1990s and returned this year with an exhibition about the monasteries and their inhabitants. Afterwards, Brother Heinz and Agata gave us a tour of the monastery and provided insights into rooms and stories that are otherwise rarely accessible.<\/p><p class=\\\"_Extrainfo\\\"><span style=\\\"letter-spacing: 0em; text-indent: 0em; font-size: 30px;\\\">\u00a0<\/span><\/p>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"absolute_position\": false,\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      }\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2025\/11\/image00016.jpeg\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 645,\r\n      \"attid\": 7393,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2025\/11\/image00016.jpeg\",\r\n        \"_3840\": \"\/wp-content\/uploads\/2025\/11\/image00016-3840x2880.jpeg\",\r\n        \"_3200\": \"\/wp-content\/uploads\/2025\/11\/image00016-3200x2400.jpeg\",\r\n        \"_2560\": \"\/wp-content\/uploads\/2025\/11\/image00016-2560x1920.jpeg\",\r\n        \"_1920\": \"\/wp-content\/uploads\/2025\/11\/image00016-1920x1440.jpeg\",\r\n        \"_1280\": \"\/wp-content\/uploads\/2025\/11\/image00016-1280x960.jpeg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2025\/11\/image00016-1024x768.jpeg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2025\/11\/image00016-768x576.jpeg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2025\/11\/image00016-512x384.jpeg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2025\/11\/image00016-265x199.jpeg\"\r\n      },\r\n      \"w\": 4032,\r\n      \"h\": 3024,\r\n      \"ar\": 0.75,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"lightbox_caption\": \"<p class=\\\"_Extrainfo\\\"><span style=\\\"font-size: 20px;\\\">Stefan Wunsch giving us a tour at Vogelsang IP<br \/>Photo: Nathalie Schulz<br \/><\/span><\/p>\",\r\n      \"frameOverflow\": \"\",\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      }\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2025\/11\/image00047.jpeg\",\r\n      \"align\": \"onethird\",\r\n      \"row\": 3,\r\n      \"col\": 8,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 1336,\r\n      \"attid\": 7397,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2025\/11\/image00047.jpeg\",\r\n        \"_2560\": \"\/wp-content\/uploads\/2025\/11\/image00047-2560x1603.jpeg\",\r\n        \"_1920\": \"\/wp-content\/uploads\/2025\/11\/image00047-1920x1202.jpeg\",\r\n        \"_1280\": \"\/wp-content\/uploads\/2025\/11\/image00047-1280x801.jpeg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2025\/11\/image00047-1024x641.jpeg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2025\/11\/image00047-768x481.jpeg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2025\/11\/image00047-512x321.jpeg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2025\/11\/image00047-265x166.jpeg\"\r\n      },\r\n      \"w\": 3024,\r\n      \"h\": 1893,\r\n      \"ar\": 0.6259920634920635,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\",\r\n      \"lightbox_caption\": \"<p class=\\\"_Extrainfo\\\"><span style=\\\"font-size: 20px;\\\"><span>Stefan Wunsch giving us a tour at Vogelsang IP<br \/>Photo: Nathalie Schulz<\/span><\/span><\/p>\",\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      }\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>Day 2 began with Morning silence, monastery gardens and collection history.<br \/><br \/>At the \u201cBlue Hour\u201d we did a quiet morning walk through the monastery gardens, accompanied by artist Ingeborg Meulendijks.<\/p><p>\u00a0<\/p><p>After breakfast, we met Brother Roland, who guided us through the monastery grounds and told us about Steyl's special historical role in the context of the Steyler Missionaries and the perspective of the monastic community on current church policy.<\/p><p>\u00a0<\/p><p>Afterwards, we visited the Steyl Missie Museum, a place with an ethnographic collection and natural history objects that has been built up by missionaries over more than 140 years. It was created to capture the supposedly 'foreign world' that missionaries encountered on their travels, and to present various objects for viewing. It remains largely unchanged from when it opened in the 1930s, strongly reflecting the colonial perspective of that time. For this reason, it is sometimes difficult to bear and is often referred to as a 'museum within a museum'. As well as numerous animal specimens, the museum exhibits art, everyday objects and even human remains. It is only in recent years that the collection has been subject to critical examination and comment. The director gave us an introduction and discussed certain exhibits and attempts at restitution. We agreed: This is an essential step, but it can only be the beginning.<\/p><p>There we met artist Pii Daenen and author Mat Verberkt, who talked about their artistic and literary work with this unique place. The visit to this place resonated deeply with the group and raised questions about the responsibility we bear as artists and curators.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 16,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 23,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\",\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      }\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2025\/11\/image00055.jpeg\",\r\n      \"align\": \"top\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 411,\r\n      \"attid\": 7405,\r\n      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