{"id":7109,"date":"2025-08-01T02:28:02","date_gmt":"2025-08-01T00:28:02","guid":{"rendered":"https:\/\/old.borderland-residencies.eu\/?p=7109"},"modified":"2025-08-29T02:30:19","modified_gmt":"2025-08-29T00:30:19","slug":"kloefkorn-gavois","status":"publish","type":"post","link":"https:\/\/old.borderland-residencies.eu\/en\/kloefkorn-gavois\/","title":{"rendered":"MICHEL KL\u00d6FKORN &#038; MARIE GAVOIS"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":7162,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[27,33],"tags":[],"class_list":["post-7109","post","type-post","status-publish","has-post-thumbnail","hentry","category-artist","category-https-borderland-residencies-eu-artists"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>MICHEL KL\u00d6FKORN &amp; MARIE GAVOIS - Borderland Residencies<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MICHEL KL\u00d6FKORN &amp; 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Their joint practice draws on live collage, staged narration, intervention and documentary processes to create works that navigate the poetic and political layers of contemporary life. Over the past ten years, they have collaborated with artists in Nigeria, the USA, Scandinavia, Belgium, Spain, and Germany\u2019s Ruhr region on Living in a Tableau Vivant\u2014a long-term, site-specific project combining large-scale outdoor collage, installation, video, and live performance. 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         \"lightbox_caption\": \"<p class=\\\"_Extrainfo\\\">All my phone numbers drowned in Makoko, 2017, Lagos Nigeria, \u00a9 Klo\u0308fkorn Gavois<\/p>\"\r\n          },\r\n          {\r\n            \"cont\": \"<p class=\\\"normal\\\" style=\\\"margin-bottom: 12.0pt;\\\"><span lang=\\\"sv\\\">Alongside their collaborations, both artists maintain distinct practices. Marie Gavois' work often in itself reflects the darkness of our present times, it takes its form in simultaneous social-realism and dream, she is producing noise-dance and text performances. Her current solo project, UNRST, explores visual programming languages and their potential for non-linear, generative triggers in performance and sound production. She is interested in the history of the body, the aesthetics of the psyche as well as in the aesthetics and socio-political reality of the working body - presence, repetition, and resistance.<\/span><\/p><p class=\\\"normal\\\" style=\\\"margin-bottom: 12.0pt;\\\"><span lang=\\\"sv\\\">Michel Kl\u00f6fkorn works in video, visual research, and \\\"nervous poetry.\\\" With a background in analog filmmaking and drawing he explores unusual ways to illustrate music and sound. For many years, he has been engaged in the process of \\\"de-weaving\\\" images and ideas - a cumulative body of work across mediums. 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They are members of Radical Film network and the crew behind Halffloor - a 60 second sonic artwork pod.<\/span><\/p>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"absolute_position\": false,\r\n      \"classes\": \"floatimg right\",\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      }\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"text-decoration: underline;\\\">Project during the Borderland Residency<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 28,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 136,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1,\r\n          \"customAspectRatio\": false,\r\n          \"customAspectRatioW\": 16,\r\n          \"customAspectRatioH\": 9\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1,\r\n          \"customAspectRatio\": false,\r\n          \"customAspectRatioW\": 16,\r\n          \"customAspectRatioH\": 9\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 1,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1,\r\n          \"customAspectRatio\": false,\r\n          \"customAspectRatioW\": 16,\r\n          \"customAspectRatioH\": 9\r\n        },\r\n        \"layoutType\": \"masonry\",\r\n        \"elements\": [\r\n          {\r\n            \"cont\": \"<p class=\\\"_Extrainfo\\\"><u>Year of participation<\/u><\/p><p class=\\\"_Extrainfo\\\">2025<\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"cont\": \"\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Extrainfo\\\"><span><span style=\\\"text-decoration: underline;\\\">Instagram<\/span> <br \/><span style=\\\"font-size: 20px;\\\"><a rel=\\\"noopener\\\" href=\\\"https:\/\/www.instagram.com\/gavoismarie\/\\\" target=\\\"_blank\\\" data-id=\\\"0\\\">@gavoismarie<\/a><\/span><br \/><span style=\\\"font-size: 20px;\\\"><a href=\\\"https:\/\/www.instagram.com\/klfkorn\/\\\">@klfkorn<\/a>\u00a0<br \/><\/span><\/span><\/p><p class=\\\"_Extrainfo\\\"><span style=\\\"text-decoration: underline; font-size: 20px;\\\">Website<br \/><\/span><span style=\\\"font-size: 20px;\\\"><a href=\\\"https:\/\/michelkorn.art\/\\\">www.michelkorn.art<\/a><br \/><\/span><span style=\\\"font-size: 20px;\\\"><a href=\\\"https:\/\/mastodon.social\/@Michelkorn\\\">www.mastodon.social\/@Michelkorn<\/a><br \/><\/span><span style=\\\"font-size: 20px;\\\"><a href=\\\"https:\/\/mariegavois.wordpress.com\/\\\">www.mariegavois.wordpress.com<\/a><br \/><\/span><span><a href=\\\"https:\/\/mastodon.social\/@gavoismarie\\\"><span style=\\\"font-size: 20px;\\\">www.mastodon.social\/@gavoismarie<\/span><\/a><\/span><\/p><p>\u00a0<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 29,\r\n      \"absolute_position\": false\r\n    }\r\n  ]\r\n}","phonegrid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 5,\r\n  \"rightFrameMargin\": 5,\r\n  \"bottomFrameMargin\": 5,\r\n  \"leftFrameMargin\": 5,\r\n  \"mus\": {\r\n    \"colGutterMu\": \"%\",\r\n    \"rowGutterMu\": \"%\",\r\n    \"topFrameMu\": \"%\",\r\n    \"bottomFrameMu\": \"%\",\r\n    \"frameMu\": \"%\"\r\n  },\r\n  \"rowAttrs\": [\r\n    {\r\n      \"relid\": 8\r\n    },\r\n    {\r\n      \"relid\": 9\r\n    },\r\n    {\r\n      \"relid\": 12\r\n    },\r\n    {\r\n      \"relid\": 13\r\n    },\r\n    {\r\n      \"relid\": 14\r\n    },\r\n    {\r\n      \"relid\": 15\r\n    },\r\n    {\r\n      \"relid\": 16\r\n    },\r\n    {\r\n      \"relid\": 17\r\n    },\r\n    {\r\n      \"relid\": 18\r\n    },\r\n    {\r\n      \"relid\": 19\r\n    }\r\n  ],\r\n  \"bgColor\": null,\r\n  \"bgImage\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>MICHEL KL\u00d6FKORN &amp; MARIE GAVOIS<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 23,\r\n      \"absolute_position\": false,\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      }\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 26,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 1,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"layoutType\": \"masonry\",\r\n        \"elements\": [\r\n          {\r\n            \"cont\": \"<p class=\\\"_Extrainfo\\\"><u>Place of Residency<br \/><\/u><\/p><p class=\\\"_Extrainfo\\\"><span class=\\\"il\\\"><span>Hausmuseum<\/span><\/span><\/p><p class=\\\"_Extrainfo\\\">\u00a0<\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"cont\": \"<div class=\\\"page\\\" title=\\\"Page 3\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><p class=\\\"normal\\\" style=\\\"margin-bottom: 12.0pt;\\\"><span lang=\\\"sv\\\">Marie Gavois and Michel Kl\u00f6fkorn (SE\/DE) have collaborated as a duo since 2014, working across sound, performance, film, installation, and text. Their joint practice draws on live collage, staged narration, intervention and documentary processes to create works that navigate the poetic and political layers of contemporary life. Over the past ten years, they have collaborated with artists in Nigeria, the USA, Scandinavia, Belgium, Spain, and Germany\u2019s Ruhr region on Living in a Tableau Vivant\u2014a long-term, site-specific project combining large-scale outdoor collage, installation, video, and live performance. During the first COVID lockdown, they filmed Jaime\u2019s House at the foot of the Spanish Pyrenees, installing a 13\u00d79-meter fa\u00e7ade poster on the shepherd\u2019s land.<\/span><\/p><p class=\\\"normal\\\" style=\\\"margin-bottom: 12.0pt;\\\"><span lang=\\\"sv\\\">More recently they have been leaning into the field of broadcast radio. \u201872 Soundchecks - a documentary film without pictures\u2019 is a 22-hour broadcast radio piece reframing the unnoticed moments of concert preparation into a dense audio narrative, aired through Radio Art Zone for European Capital of Culture Esch sur-Alzette 2022. Over the past years they have been working on a collective project called \u2018Tell me your passport story\u2019.<\/span><\/p><\/div><\/div><\/div>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"classes\": \"singleindent\",\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2025\/07\/klaf4.jpg\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 159,\r\n      \"attid\": 7162,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2025\/07\/klaf4.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2025\/07\/klaf4-768x512.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2025\/07\/klaf4-512x342.jpg\",\r\n        \"_265\": 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   \"colGutter\": 1,\r\n          \"rowGutter\": 0\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 3,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 1,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"layoutType\": \"masonry\",\r\n        \"elements\": [\r\n          {\r\n            \"cont\": \"<p class=\\\"_Extrainfo\\\"><span style=\\\"text-decoration: underline;\\\">Discipline<\/span><\/p><p class=\\\"_Extrainfo\\\"><span>sound, performance, film, installation, text<\/span><\/p><p class=\\\"_Extrainfo\\\">\u00a0<\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 7161,\r\n            \"cont\": \"\/wp-content\/uploads\/2025\/07\/klaf3.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"\/wp-content\/uploads\/2025\/07\/klaf3.jpg\",\r\n              \"_768\": \"\/wp-content\/uploads\/2025\/07\/klaf3-768x567.jpg\",\r\n              \"_512\": \"\/wp-content\/uploads\/2025\/07\/klaf3-512x378.jpg\",\r\n              \"_265\": \"\/wp-content\/uploads\/2025\/07\/klaf3-265x196.jpg\"\r\n            },\r\n            \"w\": 883,\r\n            \"h\": 652,\r\n            \"ar\": 0.7383918459796149,\r\n            \"alt\": \"\",\r\n            \"lightbox_caption\": \"<p class=\\\"_Extrainfo\\\">All my phone numbers drowned in Makoko, 2017, Lagos Nigeria, \u00a9 Klo\u0308fkorn Gavois<\/p>\"\r\n          },\r\n          {\r\n            \"cont\": \"<p class=\\\"normal\\\" style=\\\"margin-bottom: 12.0pt;\\\"><span lang=\\\"sv\\\">Alongside their collaborations, both artists maintain distinct practices. Marie Gavois' work often in itself reflects the darkness of our present times, it takes its form in simultaneous social-realism and dream, she is producing noise-dance and text performances. Her current solo project, UNRST, explores visual programming languages and their potential for non-linear, generative triggers in performance and sound production. She is interested in the history of the body, the aesthetics of the psyche as well as in the aesthetics and socio-political reality of the working body - presence, repetition, and resistance.<\/span><\/p><p class=\\\"normal\\\" style=\\\"margin-bottom: 12.0pt;\\\"><span lang=\\\"sv\\\">Michel Kl\u00f6fkorn works in video, visual research, and \\\"nervous poetry.\\\" With a background in analog filmmaking and drawing he explores unusual ways to illustrate music and sound. For many years, he has been engaged in the process of \\\"de-weaving\\\" images and ideas - a cumulative body of work across mediums. Using analog and digital animation as well as AI and VR, he investigates new forms of spatial drawing, extending pencil and watercolor work beyond the page into physical and virtual space. At the intersection of poetry, the state of the world, and emerging technologies, his work seeks to open fragile spaces for reflection and resistance.<\/span><\/p><p class=\\\"normal\\\" style=\\\"margin-bottom: 12.0pt;\\\"><span lang=\\\"sv\\\">Together and apart, Gavois\u2019 and Kl\u00f6fkorns\u2019 practices intersect in a shared commitment to experimentation, critical poetry, and interruption. They are members of Radical Film network and the crew behind Halffloor - a 60 second sonic artwork pod.<\/span><\/p>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"absolute_position\": false,\r\n      \"classes\": \"floatimg right\",\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      }\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"text-decoration: underline;\\\">Project during the Borderland Residency<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 7,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 28,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 8,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 136,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1,\r\n          \"customAspectRatio\": false,\r\n          \"customAspectRatioW\": 16,\r\n          \"customAspectRatioH\": 9\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1,\r\n          \"customAspectRatio\": false,\r\n          \"customAspectRatioW\": 16,\r\n          \"customAspectRatioH\": 9\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 1,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1,\r\n          \"customAspectRatio\": false,\r\n          \"customAspectRatioW\": 16,\r\n          \"customAspectRatioH\": 9\r\n        },\r\n        \"layoutType\": \"masonry\",\r\n        \"elements\": [\r\n          {\r\n            \"cont\": \"<p class=\\\"_Extrainfo\\\"><u>Year of participation<\/u><\/p><p class=\\\"_Extrainfo\\\">2025<\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"cont\": \"\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Extrainfo\\\"><span><span style=\\\"text-decoration: underline;\\\">Instagram<\/span> <br \/><span style=\\\"font-size: 20px;\\\"><a rel=\\\"noopener\\\" href=\\\"https:\/\/www.instagram.com\/gavoismarie\/\\\" target=\\\"_blank\\\" data-id=\\\"0\\\">@gavoismarie<\/a><\/span><br \/><span style=\\\"font-size: 20px;\\\"><a href=\\\"https:\/\/www.instagram.com\/klfkorn\/\\\">@klfkorn<\/a>\u00a0<br \/><\/span><\/span><\/p><p class=\\\"_Extrainfo\\\"><span style=\\\"text-decoration: underline; font-size: 20px;\\\">Website<br \/><\/span><span style=\\\"font-size: 20px;\\\"><a href=\\\"https:\/\/michelkorn.art\/\\\">www.michelkorn.art<\/a><br \/><\/span><span style=\\\"font-size: 20px;\\\"><a href=\\\"https:\/\/mastodon.social\/@Michelkorn\\\">www.mastodon.social\/@Michelkorn<\/a><br \/><\/span><span style=\\\"font-size: 20px;\\\"><a href=\\\"https:\/\/mariegavois.wordpress.com\/\\\">www.mariegavois.wordpress.com<\/a><br \/><\/span><span><a href=\\\"https:\/\/mastodon.social\/@gavoismarie\\\"><span style=\\\"font-size: 20px;\\\">www.mastodon.social\/@gavoismarie<\/span><\/a><\/span><\/p><p>\u00a0<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 9,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 29,\r\n      \"absolute_position\": false\r\n    }\r\n  ]\r\n}","_links":{"self":[{"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/posts\/7109","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/comments?post=7109"}],"version-history":[{"count":0,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/posts\/7109\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/media\/7162"}],"wp:attachment":[{"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/media?parent=7109"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/categories?post=7109"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/tags?post=7109"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}