{"id":7108,"date":"2025-08-29T02:42:23","date_gmt":"2025-08-29T00:42:23","guid":{"rendered":"https:\/\/old.borderland-residencies.eu\/?p=7108"},"modified":"2025-09-04T21:18:46","modified_gmt":"2025-09-04T19:18:46","slug":"michelle-louise-samba","status":"publish","type":"post","link":"https:\/\/old.borderland-residencies.eu\/en\/michelle-louise-samba\/","title":{"rendered":"MICHELLE LOUISE SAMBA"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":7248,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[27,33],"tags":[],"class_list":["post-7108","post","type-post","status-publish","has-post-thumbnail","hentry","category-artist","category-https-borderland-residencies-eu-artists"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>MICHELLE LOUISE SAMBA - Borderland 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ArToll<\/span><\/span><\/p><p class=\\\"_Extrainfo\\\">\u00a0<\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"cont\": \"<div class=\\\"page\\\" title=\\\"Page 3\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><p><span>Michelle Samba (b. 1990) is an interdisciplinary artist and musician whose practice stages charged materials like percussion, blood, rope, table &amp; chair, voice and ritual, to probe power, complicity and how bodies carry meaning within institutional frames.<\/span><\/p><p><span>In 2025 she presented <\/span><b>I, Hereby <\/b><span>(part of her table &amp; chair series) at Museum Schloss Moyland as part of <\/span><i><span>Marina Abramovic\u0301 &amp; MAI in Dialogue with Joseph Beuys<\/span><\/i><span>: seven days, seven hours, no intermission, where she used her blood as ink to stamp discarded institutional paperwork, a precise, durational score about value, cost, truth, permission and bureaucracy.<\/span><\/p><p><span>Samba develops multi-year series. <\/span><b>Hit Me Baby One More Time <\/b><span>examines violence, play and responsibility through drums, rhythm, rope and audience involvement; <\/span><b>ENTRY <\/b><span>(part of table &amp; chair) where she stages a desk for unsent letters as ritual proposal; <\/span><b>Gateways <\/b><span>merges performance, music and installation into relational setups.<\/span><\/p><p><span>She is a Station Noord maker and realized work with partners including OCW, Motel Mozaique, Nieuwe Makers, We the North, Explore the North, Oerol and Tryater.<\/span><span><br \/><\/span><\/p><\/div><\/div><\/div>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"classes\": \"singleindent\",\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2025\/08\/ms3.png\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 2,\r\n      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center;\\\"><span style=\\\"font-size: 16px;\\\">Nikita Gale, 2024<\/span><br \/><span style=\\\"font-size: 16px;\\\">Photo: Lotte Van Uittert<\/span><\/p>\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2025\/08\/ms4.png\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 2,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 10,\r\n      \"attid\": 7249,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2025\/08\/ms4.png\",\r\n        \"_768\": \"\/wp-content\/uploads\/2025\/08\/ms4-768x510.png\",\r\n        \"_512\": \"\/wp-content\/uploads\/2025\/08\/ms4-512x340.png\",\r\n        \"_265\": \"\/wp-content\/uploads\/2025\/08\/ms4-265x176.png\"\r\n      },\r\n      \"w\": 868,\r\n      \"h\": 576,\r\n      \"ar\": 0.663594470046083,\r\n      \"alt\": \"\",\r\n 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class=\\\"_Extrainfo\\\"><span style=\\\"text-decoration: underline;\\\">Discipline<\/span><\/p><p class=\\\"_Extrainfo\\\"><span>installation, performance<br \/><\/span><\/p><p class=\\\"_Extrainfo\\\">\u00a0<\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 7247,\r\n            \"cont\": \"\/wp-content\/uploads\/2025\/08\/ms2.png\",\r\n            \"sizes\": {\r\n              \"full\": \"\/wp-content\/uploads\/2025\/08\/ms2.png\",\r\n              \"_768\": \"\/wp-content\/uploads\/2025\/08\/ms2-768x509.png\",\r\n              \"_512\": \"\/wp-content\/uploads\/2025\/08\/ms2-512x339.png\",\r\n              \"_265\": \"\/wp-content\/uploads\/2025\/08\/ms2-265x176.png\"\r\n            },\r\n            \"w\": 872,\r\n            \"h\": 578,\r\n            \"ar\": 0.6628440366972477,\r\n            \"alt\": \"\",\r\n            \"lightbox_caption\": \"<p class=\\\"_Extrainfo\\\"><span>Michelle 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