{"id":7106,"date":"2025-08-01T02:36:38","date_gmt":"2025-08-01T00:36:38","guid":{"rendered":"https:\/\/old.borderland-residencies.eu\/?p=7106"},"modified":"2025-08-01T02:36:38","modified_gmt":"2025-08-01T00:36:38","slug":"jungwoon-kim","status":"publish","type":"post","link":"https:\/\/old.borderland-residencies.eu\/en\/jungwoon-kim\/","title":{"rendered":"JUNGWOON KIM"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":7128,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[27,33],"tags":[],"class_list":["post-7106","post","type-post","status-publish","has-post-thumbnail","hentry","category-artist","category-https-borderland-residencies-eu-artists"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>JUNGWOON KIM - Borderland Residencies<\/title>\n<meta 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class=\\\"layoutArea\\\"><div class=\\\"column\\\"><p><span>Jungwoon Kim (*1981, Seoul, South Korea) lives and works in Du\u0308sseldorf, Germany. She studied Fine Arts at Hongik University in Seoul and at the Kunstakademie Du\u0308sseldorf under Professors Rita McBride and Martin Gostner. Since graduating in 2014, Kim has participated in a variety of projects. She has been awarded numerous scholarships and participated in several artist residencies, which have taken her to cities such as Chongqing, Detroit, and Bucharest. Kim is also a member of the artist collective Mother of Pearl. <\/span><\/p><p><span>Her recent exhibitions and projects include Fishing in Green, Living in Yellow at The Pool, Du\u0308sseldorf (2025); Und wir fangen gerade erst an at Kunsthalle Du\u0308sseldorf (2025); Worlds of Structure at Atelierhaus Aachen e.V., Aachen (2024); Waiting in Loop at Gallery Cubeplus, Kiel <\/span><\/p><\/div><\/div><\/div><div class=\\\"page\\\" title=\\\"Page 2\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><p><span>(2023); 20 Jahre dHCS-Stipendium at Kunstverein fu\u0308r die Rheinlande und Westfalen Du\u0308sseldorf (2023); Out to Lunch part 1 Bloom in Du\u0308sseldorf (2023); Out to Lunch part 2 at 3:e Va\u030aningen, Gothenburg, Sweden (2023); Die Grosse at Kunstpalast Du\u0308sseldorf (2023); yesterday, today, tomorrow at Zero Foundation, Du\u0308sseldorf (2022); and 14. Salon der Ku\u0308nstlerinnen* at Museum Kurhaus Kleve (2022). <\/span><\/p><\/div><\/div><\/div><p><span>\u00a0<\/span><\/p><\/div><\/div><\/div>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"classes\": \"singleindent\",\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"img\",\r\n          \"cont\": \"\/wp-content\/uploads\/2025\/07\/6-Anna-2025.jpg\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 4,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 159,\r\n          \"attid\": 7128,\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2025\/07\/6-Anna-2025.jpg\",\r\n            \"_2560\": \"\/wp-content\/uploads\/2025\/07\/6-Anna-2025-2560x3413.jpg\",\r\n            \"_1920\": \"\/wp-content\/uploads\/2025\/07\/6-Anna-2025-1920x2560.jpg\",\r\n            \"_1280\": \"\/wp-content\/uploads\/2025\/07\/6-Anna-2025-1280x1707.jpg\",\r\n            \"_1024\": \"\/wp-content\/uploads\/2025\/07\/6-Anna-2025-1024x1365.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2025\/07\/6-Anna-2025-768x1024.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2025\/07\/6-Anna-2025-512x683.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2025\/07\/6-Anna-2025-265x353.jpg\"\r\n          },\r\n          \"w\": 2758,\r\n          \"h\": 3677,\r\n          \"ar\": 1.3332124728063814,\r\n          \"alt\": \"\",\r\n          \"absolute_position\": false,\r\n          \"lightbox_caption\": \"\"\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p style=\\\"text-align: center;\\\"><span style=\\\"font-size: 20px;\\\">Jungwoon Kim - 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Not yet titled, 2025, <\/span><span><span style=\\\"font-size: 20px;\\\">silicone, pigment, 40x30x90cm<br \/><\/span><span style=\\\"font-size: 20px;\\\">Exhibition view Fishing in Green, Living in Yellow, Photo: Kai Werner Schmidt<\/span> <\/span><\/p>\",\r\n          \"align\": \"bottom\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 4,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 21,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"cont\": \"\/wp-content\/uploads\/2025\/07\/1-Supertoys-2025.jpg\",\r\n          \"align\": \"bottom\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 4,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 2,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 10,\r\n          \"attid\": 7123,\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2025\/07\/1-Supertoys-2025.jpg\",\r\n            \"_3200\": \"\/wp-content\/uploads\/2025\/07\/1-Supertoys-2025-3200x2400.jpg\",\r\n            \"_2560\": \"\/wp-content\/uploads\/2025\/07\/1-Supertoys-2025-2560x1920.jpg\",\r\n            \"_1920\": \"\/wp-content\/uploads\/2025\/07\/1-Supertoys-2025-1920x1440.jpg\",\r\n            \"_1280\": \"\/wp-content\/uploads\/2025\/07\/1-Supertoys-2025-1280x960.jpg\",\r\n            \"_1024\": \"\/wp-content\/uploads\/2025\/07\/1-Supertoys-2025-1024x768.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2025\/07\/1-Supertoys-2025-768x576.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2025\/07\/1-Supertoys-2025-512x384.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2025\/07\/1-Supertoys-2025-265x199.jpg\"\r\n          },\r\n          \"w\": 3500,\r\n          \"h\": 2625,\r\n          \"ar\": 0.75,\r\n          \"alt\": \"\",\r\n          \"absolute_position\": false,\r\n          \"lightbox_caption\": \"\"\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p style=\\\"text-align: center;\\\"><span style=\\\"font-size: 20px;\\\">Jungwoon Kim - <\/span><span><span style=\\\"font-size: 20px;\\\">Supertoys, 2025, Trembling sculpture silicone, pigment, motor Variable dimensions<\/span><br \/><span style=\\\"font-size: 20px;\\\">Exhibition view Fishing in Green, Living in Yellow, Photo: Kai Werner Schmidt<\/span> <\/span><\/p>\",\r\n          \"align\": \"bottom\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 4,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 22,\r\n          \"absolute_position\": false\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 8,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 25,\r\n      \"frameOverflow\": \"\",\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h2 class=\\\"_H2_Underlined\\\">Artistic Method<\/h2>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 24,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 27,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 3,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 0\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 3,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 1,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"layoutType\": \"masonry\",\r\n        \"elements\": [\r\n          {\r\n            \"cont\": \"<p class=\\\"_Extrainfo\\\"><span style=\\\"text-decoration: underline;\\\">Discipline<\/span><\/p><p class=\\\"_Extrainfo\\\"><span>installation<br \/><\/span><\/p><p class=\\\"_Extrainfo\\\">\u00a0<\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 7126,\r\n            \"cont\": \"\/wp-content\/uploads\/2025\/07\/4-Traurige-Tropen-2025-B.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"\/wp-content\/uploads\/2025\/07\/4-Traurige-Tropen-2025-B.jpg\",\r\n              \"_2560\": \"\/wp-content\/uploads\/2025\/07\/4-Traurige-Tropen-2025-B-2560x3413.jpg\",\r\n              \"_1920\": \"\/wp-content\/uploads\/2025\/07\/4-Traurige-Tropen-2025-B-1920x2560.jpg\",\r\n              \"_1280\": \"\/wp-content\/uploads\/2025\/07\/4-Traurige-Tropen-2025-B-1280x1707.jpg\",\r\n              \"_1024\": \"\/wp-content\/uploads\/2025\/07\/4-Traurige-Tropen-2025-B-1024x1365.jpg\",\r\n              \"_768\": \"\/wp-content\/uploads\/2025\/07\/4-Traurige-Tropen-2025-B-768x1024.jpg\",\r\n              \"_512\": \"\/wp-content\/uploads\/2025\/07\/4-Traurige-Tropen-2025-B-512x683.jpg\",\r\n              \"_265\": \"\/wp-content\/uploads\/2025\/07\/4-Traurige-Tropen-2025-B-265x353.jpg\"\r\n            },\r\n            \"w\": 2625,\r\n            \"h\": 3500,\r\n            \"ar\": 1.3333333333333333,\r\n            \"alt\": \"\",\r\n            \"lightbox_caption\": \"<p class=\\\"_Extrainfo\\\">Rank and File wall installation \u2013 2022, photo byCristiana Cott Negoescu<\/p>\"\r\n          },\r\n          {\r\n            \"cont\": \"<div class=\\\"page\\\" title=\\\"Page 1\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><p><span>Jungwoon Kim\u2019s artistic practice explores the quiet resilience of materials in transitional states \u2014 between vitality and decay, the natural and the artificial, the immediate and the remembered. <\/span><\/p><p><span>Her interest in residual forms and fragile vitality also reflects her conflicted relationship with nature itself. The \u201cnature\u201d she has internalized \u2014 shaped by urban environments and media \u2014 is often curated, controlled, softened, and romanticized. In contrast, real encounters with nature affect her on a visceral level: spring allergies disrupt her body, unpredictable weather alters her mood, and climate anxiety casts a shadow over daily life. This dissonance \u2014 between the artificial, mediated nature she has grown up with and the overwhelming, destabilizing forces of the real \u2014 creates a generative tension that runs through her work. She sees sculpture as a way to hold and articulate this gap. <\/span><\/p><p><span>Her works do not ask to be interpreted, but to be experienced \u2014 through the skin, through emotional echoes, and through an awareness of what lingers. <\/span><\/p><\/div><\/div><\/div>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"absolute_position\": false,\r\n      \"classes\": \"floatimg right\",\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      }\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"text-decoration: underline;\\\">Project during the Borderland Residency<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 28,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 136,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 1,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"layoutType\": \"masonry\",\r\n        \"elements\": [\r\n          {\r\n            \"cont\": \"<p class=\\\"_Extrainfo\\\"><u>Year of participation<\/u><\/p><p class=\\\"_Extrainfo\\\">2025<\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"cont\": \"<div class=\\\"page\\\" title=\\\"Page 2\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><div class=\\\"page\\\" title=\\\"Page 1\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><p><span>During the Borderland Residency, she will investigate the lingering presence of plant-based materials in liminal states \u2014 suspended between growth and decay, natural and synthetic, living and fading. <\/span><\/p><p><span>Set in Eupen, the project will begin with the collection of local plant remains and everyday residues. These materials, gathered from the immediate surroundings, will be combined with materials such as silicone and aluminum to create sculptural works that quietly embody tension, transformation, and resilience. She is particularly interested in the subtle abundance of withered or artificial vegetation \u2014 ornamental houseplants, remnants of tropical desire, faded symbols of care. <\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Extrainfo\\\"><span><span style=\\\"text-decoration: underline;\\\">Instagram<\/span> <br \/><a href=\\\"https:\/\/www.instagram.com\/jungwoon_kim_\/\\\" data-id=\\\"0\\\">@jungwoon_kim_<\/a><br \/><\/span><\/p><p class=\\\"_Extrainfo\\\"><span style=\\\"text-decoration: underline;\\\">Website<br \/><\/span><span><span style=\\\"font-size: 20px;\\\"><a href=\\\"https:\/\/www.jungwoon.de\\\">www.jungwoon.de<\/a><br \/><\/span><a href=\\\"https:\/\/www.motherofpearl-collective.com\\\"><span style=\\\"font-size: 20px;\\\">www.motherofpearl-collective.com<\/span> <\/a><\/span><\/p><p class=\\\"_Extrainfo\\\">\u00a0<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 29,\r\n      \"absolute_position\": false\r\n    }\r\n  ]\r\n}","phonegrid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 5,\r\n  \"rightFrameMargin\": 5,\r\n  \"bottomFrameMargin\": 5,\r\n  \"leftFrameMargin\": 5,\r\n  \"mus\": {\r\n    \"colGutterMu\": \"%\",\r\n    \"rowGutterMu\": \"%\",\r\n    \"topFrameMu\": \"%\",\r\n    \"bottomFrameMu\": \"%\",\r\n    \"frameMu\": \"%\"\r\n  },\r\n  \"rowAttrs\": [\r\n    {\r\n      \"relid\": 8\r\n    },\r\n    {\r\n      \"relid\": 9\r\n    },\r\n    {\r\n      \"relid\": 12\r\n    },\r\n    {\r\n      \"relid\": 13\r\n    },\r\n    {\r\n      \"relid\": 14\r\n    },\r\n    {\r\n      \"relid\": 15\r\n    },\r\n    {\r\n      \"relid\": 16\r\n    },\r\n    {\r\n      \"relid\": 17\r\n    },\r\n    {\r\n      \"relid\": 18\r\n    },\r\n    {\r\n      \"relid\": 19\r\n    }\r\n  ],\r\n  \"bgColor\": null,\r\n  \"bgImage\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>JUNGWOON KIM<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 23,\r\n      \"absolute_position\": false,\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      }\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 26,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 1,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"layoutType\": \"masonry\",\r\n        \"elements\": [\r\n          {\r\n            \"cont\": \"<p class=\\\"_Extrainfo\\\"><u>Place of Residency<br \/><\/u><\/p><p class=\\\"_Extrainfo\\\"><span class=\\\"il\\\">IKOB<\/span><span>, Eupen<\/span><\/p><p class=\\\"_Extrainfo\\\">\u00a0<\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"cont\": \"<div class=\\\"page\\\" title=\\\"Page 3\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><div class=\\\"page\\\" title=\\\"Page 1\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><p><span>Jungwoon Kim (*1981, Seoul, South Korea) lives and works in Du\u0308sseldorf, Germany. She studied Fine Arts at Hongik University in Seoul and at the Kunstakademie Du\u0308sseldorf under Professors Rita McBride and Martin Gostner. Since graduating in 2014, Kim has participated in a variety of projects. She has been awarded numerous scholarships and participated in several artist residencies, which have taken her to cities such as Chongqing, Detroit, and Bucharest. Kim is also a member of the artist collective Mother of Pearl. <\/span><\/p><p><span>Her recent exhibitions and projects include Fishing in Green, Living in Yellow at The Pool, Du\u0308sseldorf (2025); Und wir fangen gerade erst an at Kunsthalle Du\u0308sseldorf (2025); Worlds of Structure at Atelierhaus Aachen e.V., Aachen (2024); Waiting in Loop at Gallery Cubeplus, Kiel <\/span><\/p><\/div><\/div><\/div><div class=\\\"page\\\" title=\\\"Page 2\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><p><span>(2023); 20 Jahre dHCS-Stipendium at Kunstverein fu\u0308r die Rheinlande und Westfalen Du\u0308sseldorf (2023); Out to Lunch part 1 Bloom in Du\u0308sseldorf (2023); Out to Lunch part 2 at 3:e Va\u030aningen, Gothenburg, Sweden (2023); Die Grosse at Kunstpalast Du\u0308sseldorf (2023); yesterday, today, tomorrow at Zero Foundation, Du\u0308sseldorf (2022); and 14. Salon der Ku\u0308nstlerinnen* at Museum Kurhaus Kleve (2022). <\/span><\/p><\/div><\/div><\/div><p><span>\u00a0<\/span><\/p><\/div><\/div><\/div>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"classes\": \"singleindent\",\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2025\/07\/6-Anna-2025.jpg\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 159,\r\n      \"attid\": 7128,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2025\/07\/6-Anna-2025.jpg\",\r\n        \"_2560\": \"\/wp-content\/uploads\/2025\/07\/6-Anna-2025-2560x3413.jpg\",\r\n        \"_1920\": \"\/wp-content\/uploads\/2025\/07\/6-Anna-2025-1920x2560.jpg\",\r\n      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\"\/wp-content\/uploads\/2025\/07\/1-Supertoys-2025-1024x768.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2025\/07\/1-Supertoys-2025-768x576.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2025\/07\/1-Supertoys-2025-512x384.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2025\/07\/1-Supertoys-2025-265x199.jpg\"\r\n      },\r\n      \"w\": 3500,\r\n      \"h\": 2625,\r\n      \"ar\": 0.75,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"lightbox_caption\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h2 class=\\\"_H2_Underlined\\\">Artistic Method<\/h2>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 24,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 27,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 3,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 0\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 3,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 1,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"layoutType\": \"masonry\",\r\n        \"elements\": [\r\n          {\r\n            \"cont\": \"<p class=\\\"_Extrainfo\\\"><span style=\\\"text-decoration: underline;\\\">Discipline<\/span><\/p><p class=\\\"_Extrainfo\\\"><span>installation<br \/><\/span><\/p><p class=\\\"_Extrainfo\\\">\u00a0<\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 7126,\r\n            \"cont\": \"\/wp-content\/uploads\/2025\/07\/4-Traurige-Tropen-2025-B.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"\/wp-content\/uploads\/2025\/07\/4-Traurige-Tropen-2025-B.jpg\",\r\n              \"_2560\": \"\/wp-content\/uploads\/2025\/07\/4-Traurige-Tropen-2025-B-2560x3413.jpg\",\r\n              \"_1920\": \"\/wp-content\/uploads\/2025\/07\/4-Traurige-Tropen-2025-B-1920x2560.jpg\",\r\n              \"_1280\": \"\/wp-content\/uploads\/2025\/07\/4-Traurige-Tropen-2025-B-1280x1707.jpg\",\r\n              \"_1024\": \"\/wp-content\/uploads\/2025\/07\/4-Traurige-Tropen-2025-B-1024x1365.jpg\",\r\n              \"_768\": \"\/wp-content\/uploads\/2025\/07\/4-Traurige-Tropen-2025-B-768x1024.jpg\",\r\n              \"_512\": \"\/wp-content\/uploads\/2025\/07\/4-Traurige-Tropen-2025-B-512x683.jpg\",\r\n              \"_265\": \"\/wp-content\/uploads\/2025\/07\/4-Traurige-Tropen-2025-B-265x353.jpg\"\r\n            },\r\n            \"w\": 2625,\r\n            \"h\": 3500,\r\n            \"ar\": 1.3333333333333333,\r\n            \"alt\": \"\",\r\n            \"lightbox_caption\": \"<p class=\\\"_Extrainfo\\\">Rank and File wall installation \u2013 2022, photo byCristiana Cott Negoescu<\/p>\"\r\n          },\r\n          {\r\n            \"cont\": \"<div class=\\\"page\\\" title=\\\"Page 1\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><p><span>Jungwoon Kim\u2019s artistic practice explores the quiet resilience of materials in transitional states \u2014 between vitality and decay, the natural and the artificial, the immediate and the remembered. <\/span><\/p><p><span>Her interest in residual forms and fragile vitality also reflects her conflicted relationship with nature itself. The \u201cnature\u201d she has internalized \u2014 shaped by urban environments and media \u2014 is often curated, controlled, softened, and romanticized. In contrast, real encounters with nature affect her on a visceral level: spring allergies disrupt her body, unpredictable weather alters her mood, and climate anxiety casts a shadow over daily life. This dissonance \u2014 between the artificial, mediated nature she has grown up with and the overwhelming, destabilizing forces of the real \u2014 creates a generative tension that runs through her work. She sees sculpture as a way to hold and articulate this gap. <\/span><\/p><p><span>Her works do not ask to be interpreted, but to be experienced \u2014 through the skin, through emotional echoes, and through an awareness of what lingers. <\/span><\/p><\/div><\/div><\/div>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"absolute_position\": false,\r\n      \"classes\": \"floatimg right\",\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      }\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"text-decoration: underline;\\\">Project during the Borderland Residency<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 7,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 28,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 8,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 136,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 1,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"layoutType\": \"masonry\",\r\n        \"elements\": [\r\n          {\r\n            \"cont\": \"<p class=\\\"_Extrainfo\\\"><u>Year of participation<\/u><\/p><p class=\\\"_Extrainfo\\\">2025<\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"cont\": \"<div class=\\\"page\\\" title=\\\"Page 2\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><div class=\\\"page\\\" title=\\\"Page 1\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><p><span>During the Borderland Residency, she will investigate the lingering presence of plant-based materials in liminal states \u2014 suspended between growth and decay, natural and synthetic, living and fading. <\/span><\/p><p><span>Set in Eupen, the project will begin with the collection of local plant remains and everyday residues. These materials, gathered from the immediate surroundings, will be combined with materials such as silicone and aluminum to create sculptural works that quietly embody tension, transformation, and resilience. She is particularly interested in the subtle abundance of withered or artificial vegetation \u2014 ornamental houseplants, remnants of tropical desire, faded symbols of care. <\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Extrainfo\\\"><span><span style=\\\"text-decoration: underline;\\\">Instagram<\/span> <br \/><a href=\\\"https:\/\/www.instagram.com\/jungwoon_kim_\/\\\" data-id=\\\"0\\\">@jungwoon_kim_<\/a><br \/><\/span><\/p><p class=\\\"_Extrainfo\\\"><span style=\\\"text-decoration: underline;\\\">Website<br \/><\/span><span><span style=\\\"font-size: 20px;\\\"><a href=\\\"https:\/\/www.jungwoon.de\\\">www.jungwoon.de<\/a><br \/><\/span><a href=\\\"https:\/\/www.motherofpearl-collective.com\\\"><span style=\\\"font-size: 20px;\\\">www.motherofpearl-collective.com<\/span> <\/a><\/span><\/p><p class=\\\"_Extrainfo\\\">\u00a0<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 9,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 29,\r\n      \"absolute_position\": false\r\n    }\r\n  ]\r\n}","_links":{"self":[{"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/posts\/7106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/comments?post=7106"}],"version-history":[{"count":0,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/posts\/7106\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/media\/7128"}],"wp:attachment":[{"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/media?parent=7106"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/categories?post=7106"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/tags?post=7106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}