{"id":7104,"date":"2025-08-01T01:58:45","date_gmt":"2025-07-31T23:58:45","guid":{"rendered":"https:\/\/old.borderland-residencies.eu\/?p=7104"},"modified":"2025-08-29T02:29:37","modified_gmt":"2025-08-29T00:29:37","slug":"rachel-daniels","status":"publish","type":"post","link":"https:\/\/old.borderland-residencies.eu\/en\/rachel-daniels\/","title":{"rendered":"RACHEL DANI\u00cbLS"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":7171,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[27,33],"tags":[],"class_list":["post-7104","post","type-post","status-publish","has-post-thumbnail","hentry","category-artist","category-https-borderland-residencies-eu-artists"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>RACHEL DANI\u00cbLS - Borderland 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    \"type\": \"img\",\r\n            \"attid\": 7169,\r\n            \"cont\": \"\/wp-content\/uploads\/2025\/07\/rachel-2.png\",\r\n            \"sizes\": {\r\n              \"full\": \"\/wp-content\/uploads\/2025\/07\/rachel-2.png\",\r\n              \"_768\": \"\/wp-content\/uploads\/2025\/07\/rachel-2-768x512.png\",\r\n              \"_512\": \"\/wp-content\/uploads\/2025\/07\/rachel-2-512x342.png\",\r\n              \"_265\": \"\/wp-content\/uploads\/2025\/07\/rachel-2-265x177.png\"\r\n            },\r\n            \"w\": 988,\r\n            \"h\": 659,\r\n            \"ar\": 0.667004048582996,\r\n            \"alt\": \"\",\r\n            \"lightbox_caption\": \"<div class=\\\"page\\\" title=\\\"Page 2\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><p style=\\\"text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">Martyrdom <br \/>stained glass, polyester, glass rods <br \/>2021 <br \/>Exhibitionview Bowahead at Annie <\/span><span><span style=\\\"font-size: 16px;\\\">Gentils gallery<\/span><br \/><span style=\\\"font-size: 16px;\\\">\u00a9\u00a0We document Art<\/span> <\/span><\/p><\/div><\/div><\/div>\",\r\n            \"caption\": \"<p style=\\\"text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">Rachel Dani\u00ebls<\/span><\/p><p style=\\\"text-align: center;\\\"><span style=\\\"font-size: 16px;\\\"><i>Martyrdom <\/i><\/span><\/p><p style=\\\"text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">stained glass, polyester , glass rods <\/span><br \/><span style=\\\"font-size: 16px;\\\">2021<\/span><\/p>\"\r\n          },\r\n          {\r\n            \"cont\": \"<div class=\\\"page\\\" title=\\\"Page 1\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><p><span>A multitude of superimposed everyday objects, pictograms and other symbols from worldwide (sub)cultures intertwine in Rachel Daniel\u2019s installations, which seem to be based on an apparent disorder that deliberately obscures our reading of her work. These heterogeneous associations sometimes display a kind of humor ,absurdity even ,but often they come across as menacing and seem to contain a latent violence. As a multidisciplinary artist, she combines techniques and sources of inspiration to construct critical mechanics that make use of a unique visual language. She examines the power structures that operate within our society and dissects feelings of desire and remorse that exist within the individual human being. Her installations are often accompanied by coexisting soundscapes that act as emulsifiers that provoke a dialogue between different elements within the installations. Its main materials are steel, construction fences and stained glass, pronounced materials that contain and exhibit a compelling force. They reference social control, religion, capitalism, and the tension between collectivity and individualism, while exploring the friction between nd industrialcraftsmanship a production. <\/span><\/p><\/div><\/div><\/div><p><span>\u00a0<\/span><\/p>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"absolute_position\": false,\r\n      \"classes\": \"floatimg right\",\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      }\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"text-decoration: underline;\\\">Project during the Borderland Residency<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 28,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 136,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 1,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"layoutType\": \"masonry\",\r\n        \"elements\": [\r\n          {\r\n            \"cont\": \"<p class=\\\"_Extrainfo\\\"><u>Year of participation<\/u><\/p><p class=\\\"_Extrainfo\\\">2025<\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"cont\": \"<div class=\\\"page\\\" title=\\\"Page 1\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><p><span>At Ludwig Forum Aachen, Rachel Danie\u0308ls plans to prototype larger-scale installations and investigate how materials such as rubber mediate between notions of containment and passage, solidity and fragility. Experimenting with rubber both as a material and as a metaphor. Its elasticity symbolizes resilience and adaptability, stretching and bending under pressure, yet always attempting to return to its original form. This flexibility mirrors the dynamic and shifting nature of borders and identities within the EuRegion, where social and cultural boundaries are continually redefined. At the same time, rubber\u2019s industrial origins evoke themes of human craftsmanship, labor, and innovation, highlighting a tension between natural pliability and constructed structure. <\/span><\/p><\/div><\/div><\/div>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Extrainfo\\\"><span><span style=\\\"text-decoration: underline;\\\">Instagram<br \/><\/span><a href=\\\"https:\/\/www.instagram.com\/rcaleh\\\"><span style=\\\"font-size: 20px;\\\">@rcaleh<\/span> <\/a><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 29,\r\n      \"absolute_position\": false\r\n    }\r\n  ]\r\n}","phonegrid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 5,\r\n  \"rightFrameMargin\": 5,\r\n  \"bottomFrameMargin\": 5,\r\n  \"leftFrameMargin\": 5,\r\n  \"mus\": {\r\n    \"colGutterMu\": \"%\",\r\n    \"rowGutterMu\": \"%\",\r\n    \"topFrameMu\": \"%\",\r\n    \"bottomFrameMu\": \"%\",\r\n    \"frameMu\": \"%\"\r\n  },\r\n  \"rowAttrs\": [\r\n    {\r\n      \"relid\": 8\r\n    },\r\n    {\r\n      \"relid\": 9\r\n    },\r\n    {\r\n      \"relid\": 12\r\n    },\r\n    {\r\n      \"relid\": 13\r\n    },\r\n    {\r\n      \"relid\": 14\r\n    },\r\n    {\r\n      \"relid\": 15\r\n    },\r\n    {\r\n      \"relid\": 16\r\n    },\r\n    {\r\n      \"relid\": 17\r\n    },\r\n    {\r\n      \"relid\": 18\r\n    },\r\n    {\r\n      \"relid\": 19\r\n    }\r\n  ],\r\n  \"bgColor\": null,\r\n  \"bgImage\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>RACHEL DANI\u00cbLS<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 23,\r\n      \"absolute_position\": false,\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      }\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 26,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 1,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"layoutType\": \"masonry\",\r\n        \"elements\": [\r\n          {\r\n            \"cont\": \"<p class=\\\"_Extrainfo\\\"><u>Place of Residency<br \/><\/u><\/p><p class=\\\"_Extrainfo\\\"><span>Ludwig Forum Aachen<\/span><\/p><p class=\\\"_Extrainfo\\\">\u00a0<\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"cont\": \"<div class=\\\"page\\\" title=\\\"Page 1\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><div class=\\\"page\\\" title=\\\"Page 1\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><div class=\\\"page\\\" title=\\\"Page 1\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><div class=\\\"page\\\" title=\\\"Page 1\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><p><span>Rachel Danie\u0308ls <\/span><span>(*1998, Genk, BE) is a multidisciplinary artist working across sculpture, installation, performance, and sound. After completing her Master\u2019s degree in Sculpture &amp; Installation at PXL-MAD School of Arts in Hasselt in 2023, she participated in a residency at Kunstplaats VONK. She is currently based in Brussels. <\/span><\/p><p><span>Her practice appears to lead a double life, nurtured in so-called \u201cinterzones\u201d and non- places. Yet occasionally finding their way into institutional or more conventional contexts. In those settings, the works take on an entirely different life and interaction, revealing contrasting layers of meaning and reception. Over the years, her performances and installations have been presented in a range of spaces in Belgium including : Museum M, C-mine, Horst Arts and Music Festival, Annie Gentils Gallery Whitehouse Gallery and Base-Alpha Gallery. <\/span><\/p><\/div><\/div><\/div><p><span>\u00a0<\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"classes\": \"singleindent\",\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2025\/07\/rachel3.png\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 159,\r\n      \"attid\": 7171,\r\n      \"sizes\": {\r\n        \"full\": 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class=\\\"_H2_Underlined\\\">Artistic Method<\/h2>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 24,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 27,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 3,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 0,\r\n          \"customAspectRatio\": false,\r\n          \"customAspectRatioW\": 16,\r\n          \"customAspectRatioH\": 9\r\n        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\"\/wp-content\/uploads\/2025\/07\/rachel-2.png\",\r\n            \"sizes\": {\r\n              \"full\": \"\/wp-content\/uploads\/2025\/07\/rachel-2.png\",\r\n              \"_768\": \"\/wp-content\/uploads\/2025\/07\/rachel-2-768x512.png\",\r\n              \"_512\": \"\/wp-content\/uploads\/2025\/07\/rachel-2-512x342.png\",\r\n              \"_265\": \"\/wp-content\/uploads\/2025\/07\/rachel-2-265x177.png\"\r\n            },\r\n            \"w\": 988,\r\n            \"h\": 659,\r\n            \"ar\": 0.667004048582996,\r\n            \"alt\": \"\",\r\n            \"lightbox_caption\": \"<div class=\\\"page\\\" title=\\\"Page 2\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><p style=\\\"text-align: center;\\\"><span style=\\\"font-size: 16px;\\\">Martyrdom <br \/>stained glass, polyester, glass rods <br \/>2021 <br \/>Exhibitionview Bowahead at Annie <\/span><span><span style=\\\"font-size: 16px;\\\">Gentils gallery<\/span><br \/><span style=\\\"font-size: 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They reference social control, religion, capitalism, and the tension between collectivity and individualism, while exploring the friction between nd industrialcraftsmanship a production. <\/span><\/p><\/div><\/div><\/div><p><span>\u00a0<\/span><\/p>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"absolute_position\": false,\r\n      \"classes\": \"floatimg right\",\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      }\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"text-decoration: underline;\\\">Project during the Borderland Residency<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 7,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 28,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 8,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 136,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 1,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"layoutType\": \"masonry\",\r\n        \"elements\": [\r\n          {\r\n            \"cont\": \"<p class=\\\"_Extrainfo\\\"><u>Year of participation<\/u><\/p><p class=\\\"_Extrainfo\\\">2025<\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"cont\": \"<div class=\\\"page\\\" title=\\\"Page 1\\\"><div class=\\\"layoutArea\\\"><div class=\\\"column\\\"><p><span>At Ludwig Forum Aachen, Rachel Danie\u0308ls plans to prototype larger-scale installations and investigate how materials such as rubber mediate between notions of containment and passage, solidity and fragility. Experimenting with rubber both as a material and as a metaphor. Its elasticity symbolizes resilience and adaptability, stretching and bending under pressure, yet always attempting to return to its original form. This flexibility mirrors the dynamic and shifting nature of borders and identities within the EuRegion, where social and cultural boundaries are continually redefined. At the same time, rubber\u2019s industrial origins evoke themes of human craftsmanship, labor, and innovation, highlighting a tension between natural pliability and constructed structure. <\/span><\/p><\/div><\/div><\/div>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Extrainfo\\\"><span><span style=\\\"text-decoration: underline;\\\">Instagram<br \/><\/span><a href=\\\"https:\/\/www.instagram.com\/rcaleh\\\"><span style=\\\"font-size: 20px;\\\">@rcaleh<\/span> <\/a><\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 9,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 29,\r\n      \"absolute_position\": false\r\n    }\r\n  ]\r\n}","_links":{"self":[{"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/posts\/7104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/comments?post=7104"}],"version-history":[{"count":0,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/posts\/7104\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/media\/7171"}],"wp:attachment":[{"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/media?parent=7104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/categories?post=7104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/tags?post=7104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}