{"id":6805,"date":"2024-08-07T19:34:56","date_gmt":"2024-08-07T17:34:56","guid":{"rendered":"https:\/\/old.borderland-residencies.eu\/?p=6805"},"modified":"2025-01-15T14:44:03","modified_gmt":"2025-01-15T13:44:03","slug":"maria-toumazou","status":"publish","type":"post","link":"https:\/\/old.borderland-residencies.eu\/en\/maria-toumazou\/","title":{"rendered":"MARIA TOUMAZOU"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":6815,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[27,32],"tags":[],"class_list":["post-6805","post","type-post","status-publish","has-post-thumbnail","hentry","category-artist","category-artist-br-2024-25"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>MARIA TOUMAZOU - Borderland Residencies<\/title>\n<meta name=\"robots\" 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She attended Sta\u0308delschule in Frankfurt and graduated from Goldsmiths College in London and Glasgow School of Art.\u00a0<\/p><p>Recent solo and duo exhibitions include: Condo London with Cora Pongracz, Hot Wheels Athens London and Essex Street\/Maxwell Graham, London (2024); <em>RHYTHM, CITIZEN<\/em>, curated by Tom Engels, Grazer Kunstverein, Graz (2022); <em>SCRAP B<\/em>, Point Centre for Contemporary Art at Moufflon Bookshop, Nicosia (2022);<em> Coil<\/em>, Hot Wheels, Athens (2021); and <em>Fair-face Elyse\u0301e<\/em>, curated by Peter Eramian, Thkio Ppalies, Nicosia (2018). Toumazou\u2019s work was recently included in Biennale fu\u0308r Freiburg 2, curated by Paula Kommoss, Freiburg (2023); Jacqueline, Athens (2023); Nassauischer Kunstverein Wiesbaden, Wiesbaden (2021); NiMAC, Nicosia (2019); and the Cyprus Pavilion at Biennale Arte, Venice (2017) with Neoterismoi Toumazou.<\/p>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"classes\": \"singleindent\",\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"img\",\r\n          \"cont\": \"\/wp-content\/uploads\/2024\/08\/Maria-Toumazou-C-Eleni-Papadopoulus-1.jpg\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 4,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 159,\r\n          \"attid\": 6808,\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2024\/08\/Maria-Toumazou-C-Eleni-Papadopoulus-1.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2024\/08\/Maria-Toumazou-C-Eleni-Papadopoulus-1-265x458.jpg\"\r\n          },\r\n          \"w\": 373,\r\n          \"h\": 644,\r\n          \"ar\": 1.7265415549597856,\r\n          \"alt\": \"\",\r\n          \"absolute_position\": false,\r\n          \"lightbox_caption\": \"\",\r\n          \"caption\": \"<p class=\\\"_Extrainfo\\\"><span style=\\\"font-size: 20px;\\\">Maria Toumazou, \u00a9 <\/span><span style=\\\"font-size: 20px;\\\">Eleni Papadopoulou<\/span><\/p>\"\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 8,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 25,\r\n      \"frameOverflow\": \"\",\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2024\/08\/Koma-tou-2021.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 9,\r\n      \"attid\": 6815,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2024\/08\/Koma-tou-2021.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2024\/08\/Koma-tou-2021-512x770.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2024\/08\/Koma-tou-2021-265x399.jpg\"\r\n      },\r\n      \"w\": 618,\r\n      \"h\": 930,\r\n      \"ar\": 1.5048543689320388,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"lightbox_caption\": \"<p class=\\\"_Extrainfo\\\"><span>Maria Toumazou<br \/><\/span><em><span>Koma tou Gialou\/K\u03ce\u03bc\u03b1 \u03c4\u03bf\u03c5 \u0393\u03b9\u03b1\u03bb\u03bf\u03cd\/Kumyali<\/span><\/em><span>, 2021<\/span><\/p><p class=\\\"_Extrainfo\\\"><span>Modified violins, muslin, underwear from Neoterismoi Toumazou, Realisation<\/span><\/p><p class=\\\"_Extrainfo\\\"><span>with Michalis Pantelides (MP Violins). Courtesy: the artist and Hot Wheels,<\/span><\/p><p class=\\\"_Extrainfo\\\"><span>Athens \/ London<\/span><\/p>\",\r\n      \"frameOverflow\": \"\",\r\n      \"caption\": \"<p class=\\\"_Extrainfo\\\"><em><span>Koma tou Gialou\/K\u03ce\u03bc\u03b1 \u03c4\u03bf\u03c5 \u0393\u03b9\u03b1\u03bb\u03bf\u03cd\/Kumyali<\/span><\/em><span>, 2021<\/span><\/p><p class=\\\"_Extrainfo\\\"><span>Modified violins, muslin, underwear from Neoterismoi Toumazou, Realisation<\/span><\/p><p class=\\\"_Extrainfo\\\"><span>with Michalis Pantelides (MP Violins). Courtesy: the artist and Hot Wheels,<\/span><\/p><p class=\\\"_Extrainfo\\\"><span>Athens \/ London<\/span><\/p>\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2024\/08\/Entrance-to-offices.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 10,\r\n      \"attid\": 6814,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2024\/08\/Entrance-to-offices.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2024\/08\/Entrance-to-offices-1024x682.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2024\/08\/Entrance-to-offices-768x512.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2024\/08\/Entrance-to-offices-512x341.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2024\/08\/Entrance-to-offices-265x177.jpg\"\r\n      },\r\n      \"w\": 1072,\r\n      \"h\": 714,\r\n      \"ar\": 0.6660447761194029,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"lightbox_caption\": \"<p class=\\\"_Extrainfo\\\"><span>Maria Toumazou<\/span><\/p><p class=\\\"_Extrainfo\\\"><em><span>\u201cEntrance to offices\u201d<\/span><\/em><span>, 2022, <em>RHYTHM, CITIZEN <\/em>installation view at Grazer Kunstverein, 2022. Courtesy: the artist and Grazer Kunstverein. Photo: kunst-dokumentation.com<\/span><\/p><p class=\\\"_Extrainfo\\\">\u00a0<\/p>\",\r\n      \"caption\": \"<p class=\\\"_Extrainfo\\\"><em><span>\u201cEntrance to offices\u201d<\/span><\/em><span>, 2022, <em>RHYTHM, CITIZEN.<br \/><\/em>Installation view at Grazer Kunstverein, 2022. Courtesy: the artist and Grazer Kunstverein. Photo: kunst-dokumentation.com<\/span><\/p>\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2024\/08\/Two-bodies.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 9,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 11,\r\n      \"attid\": 6813,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2024\/08\/Two-bodies.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2024\/08\/Two-bodies-512x776.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2024\/08\/Two-bodies-265x402.jpg\"\r\n      },\r\n      \"w\": 613,\r\n      \"h\": 929,\r\n      \"ar\": 1.5154975530179446,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\",\r\n      \"lightbox_caption\": \"<p class=\\\"_Extrainfo\\\"><span>Maria Toumazou<\/span><\/p><p class=\\\"_Extrainfo\\\"><em><span>2 bodies<\/span><\/em><span>, 2024<\/span><\/p><p class=\\\"_Extrainfo\\\"><span>Found and modified tiles<\/span><\/p><p class=\\\"_Extrainfo\\\"><span>Installation view at <em>Phenomenon 5<\/em>, Anafi, 2024. Photo: Alexandra Masmanidi<\/span><\/p>\",\r\n      \"caption\": \"<p class=\\\"_Extrainfo\\\"><em><span>2 bodies<\/span><\/em><span>, 2024<\/span><\/p><p class=\\\"_Extrainfo\\\"><span>Found and modified tiles.<br \/><\/span><span>Installation view at <em>Phenomenon 5<\/em>, Anafi, 2024. Photo: Alexandra Masmanidi<\/span><\/p>\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h2 class=\\\"_H2_Underlined\\\">Artistic Method<\/h2>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 24,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 27,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 3,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 0\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 3,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 1,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"layoutType\": \"masonry\",\r\n        \"elements\": [\r\n          {\r\n            \"cont\": \"<p class=\\\"_Extrainfo\\\"><span style=\\\"text-decoration: underline;\\\">Discipline<br \/><\/span>sculpture, photography, writing<\/p><p class=\\\"_Extrainfo\\\">\u00a0<\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 6816,\r\n            \"cont\": \"\/wp-content\/uploads\/2024\/08\/candle-2024.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"\/wp-content\/uploads\/2024\/08\/candle-2024.jpg\",\r\n              \"_512\": \"\/wp-content\/uploads\/2024\/08\/candle-2024-512x767.jpg\",\r\n              \"_265\": \"\/wp-content\/uploads\/2024\/08\/candle-2024-265x397.jpg\"\r\n            },\r\n            \"w\": 622,\r\n            \"h\": 932,\r\n            \"ar\": 1.4983922829581993,\r\n            \"alt\": \"\",\r\n            \"caption\": \"<p class=\\\"_Extrainfo\\\"><em>Candle<\/em><span>, 2024.<\/span><\/p><p class=\\\"_Extrainfo\\\"><span>Collage and paint for glass on cardboard<\/span><\/p><p class=\\\"_Extrainfo\\\"><span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span><\/p>\"\r\n          },\r\n          {\r\n            \"cont\": \"<p>Maria Toumazou\u2019s work is predominantly sculptural, though exploring other disciplines and perspectives as an artistic practice is focal. She is interested in the moment where found forms open up to alternative usage frameworks, shaping objects, materials, and situations through creative processes that are informed by site and biography. Literary forms \u2013 such as realism and its attention to the everyday \u2013 serve as a methodology for constructing narratives across and within works. Histories and cultures are also revealed in their material facture, unraveling tensions in chronology and circular references that frequently pull from various design eras. Her process-led practice binds together delicate narratives with industry, mechanics, and adhoc inventions employing subjective gestures to manifest opposition to dominant economical structures. Elsewhere, shifting the role of artist as creator, designer, or documenter, Toumazou has created collective projects which stand as independent modes of production. <a href=\\\"https:\/\/hotwheelsgallery.eu\/artists\/maria-toumazou\/\\\"><span style=\\\"font-size: 20px;\\\">source<\/span><\/a><\/p>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"absolute_position\": false,\r\n      \"classes\": \"floatimg right\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Extrainfo\\\"><span><span style=\\\"text-decoration: underline;\\\">Instagram<\/span><br \/><\/span><a href=\\\"https:\/\/instagram.com\/arhaias_ledras\/\\\" data-id=\\\"0\\\">@arhaias_ledras<\/a><br \/><span style=\\\"text-decoration: underline;\\\">Website<\/span> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <br \/><a href=\\\"https:\/\/hotwheelsgallery.eu\/artists\/maria-toumazou\/\\\" data-id=\\\"0\\\">https:\/\/hotwheelsgallery.eu\/artists\/maria-toumazou\/<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 29,\r\n      \"absolute_position\": false\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/posts\/6805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/comments?post=6805"}],"version-history":[{"count":0,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/posts\/6805\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/media\/6815"}],"wp:attachment":[{"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/media?parent=6805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/categories?post=6805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/tags?post=6805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}