{"id":6786,"date":"2024-08-06T14:41:42","date_gmt":"2024-08-06T12:41:42","guid":{"rendered":"https:\/\/old.borderland-residencies.eu\/?p=6786"},"modified":"2025-01-15T14:42:35","modified_gmt":"2025-01-15T13:42:35","slug":"apparatus-22","status":"publish","type":"post","link":"https:\/\/old.borderland-residencies.eu\/en\/apparatus-22\/","title":{"rendered":"APPARATUS 22"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":6909,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[27,32],"tags":[],"class_list":["post-6786","post","type-post","status-publish","has-post-thumbnail","hentry","category-artist","category-artist-br-2024-25"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>APPARATUS 22 - Borderland Residencies<\/title>\n<meta name=\"robots\" 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\"_1280\": \"\/wp-content\/uploads\/2024\/08\/4A_Morpheus-1280x963.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2024\/08\/4A_Morpheus-1024x770.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2024\/08\/4A_Morpheus-768x578.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2024\/08\/4A_Morpheus-512x385.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2024\/08\/4A_Morpheus-265x199.jpg\"\r\n      },\r\n      \"w\": 1653,\r\n      \"h\": 1243,\r\n      \"ar\": 0.7519661222020568,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\",\r\n      \"caption\": \"<p class=\\\"_Extrainfo\\\"><strong>Morpheus Buyback <\/strong><\/p><p class=\\\"_Extrainfo\\\">2011 \u2013 ongoing, durational performance (from 2 to 30 days) in immersive installation | performance at Drodesera art Festival (Dro, IT), photo: \u00a0Alessandro Sala,\u00a0<span>courtesy<\/span>\u00a0the artists<\/p>\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2024\/08\/5A_The-Continuum-Broadcast.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 8,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 15,\r\n      \"attid\": 6910,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2024\/08\/5A_The-Continuum-Broadcast.jpg\",\r\n        \"_1280\": \"\/wp-content\/uploads\/2024\/08\/5A_The-Continuum-Broadcast-1280x956.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2024\/08\/5A_The-Continuum-Broadcast-1024x765.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2024\/08\/5A_The-Continuum-Broadcast-768x574.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2024\/08\/5A_The-Continuum-Broadcast-512x383.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2024\/08\/5A_The-Continuum-Broadcast-265x198.jpg\"\r\n      },\r\n      \"w\": 1657,\r\n      \"h\": 1238,\r\n      \"ar\": 0.7471333735666867,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"caption\": \"<p class=\\\"_Extrainfo\\\"><strong>THE CONTINUUM BROADCAST<\/strong><\/p><p class=\\\"_Extrainfo\\\">2016- 2023, installation: five channels sound installation (vintage radio and 2 speakers, mini-computer, acrylic paint;\u00a0duration: r1:\u00a0 10'32'', r2: 20'20'', r3: 13'31'', r4: 15'24'', r5: 12\u2019) plus two red neons (120cm each), the work includes guest contributions by Simon Asencio and Irina Bujor, courtesy the artists and Suprainfinit Gallery<\/p>\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h2 class=\\\"_H2_Underlined\\\">Artistic Method<\/h2>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 24,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 27,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 3,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 0\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 3,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 1,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"layoutType\": \"masonry\",\r\n        \"elements\": [\r\n          {\r\n            \"cont\": \"<p class=\\\"_Extrainfo\\\"><span style=\\\"text-decoration: underline;\\\">Discipline<\/span><\/p><p class=\\\"_Extrainfo\\\">installation, performance<\/p><p class=\\\"_Extrainfo\\\">\u00a0<\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 6912,\r\n            \"cont\": \"\/wp-content\/uploads\/2024\/08\/7A_VISTAS.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"\/wp-content\/uploads\/2024\/08\/7A_VISTAS.jpg\",\r\n              \"_1280\": \"\/wp-content\/uploads\/2024\/08\/7A_VISTAS-1280x849.jpg\",\r\n              \"_1024\": \"\/wp-content\/uploads\/2024\/08\/7A_VISTAS-1024x679.jpg\",\r\n              \"_768\": \"\/wp-content\/uploads\/2024\/08\/7A_VISTAS-768x509.jpg\",\r\n              \"_512\": \"\/wp-content\/uploads\/2024\/08\/7A_VISTAS-512x339.jpg\",\r\n              \"_265\": \"\/wp-content\/uploads\/2024\/08\/7A_VISTAS-265x176.jpg\"\r\n            },\r\n            \"w\": 1866,\r\n            \"h\": 1237,\r\n            \"ar\": 0.6629153269024651,\r\n            \"alt\": \"\",\r\n            \"caption\": \"<p class=\\\"_Extrainfo\\\"><strong>VISTAS, MIST AND CLARITY <\/strong><\/p><p class=\\\"_Extrainfo\\\">2017 |\u00a0installation: textiles with twelve painted texts, acrylic paint, metal, width: 60 cm, length: 170 cm, height: 190 cm, photo: Ioana Parvan,\u00a0<span>courtesy<\/span>\u00a0the artists and Suprainfinit Gallery<\/p>\"\r\n          },\r\n          {\r\n            \"cont\": \"<p>In their very diverse works \u2013 installations, performances, text based-shapes \u2013, reality is mixed with fiction and storytelling and all merge with a critical approach drawing knowledge &amp; experience from design, sociology, literature and economics.<\/p><p>The work of Apparatus 22 was recently presented in SMAK Gent (BE), Bundeskunsthalle, Bonn (DE) Contemporary Art Museum (MNAC), Bucharest (RO), Kunsthalle Mannheim (DE), Contemporary Art Museum Roskilde (DK), West, Den Hague (NL), Kunsthal Gent (BE), etc.<\/p>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"absolute_position\": false,\r\n      \"classes\": \"floatimg right\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2024\/08\/8A_AS-GOOD-AS-GOLD.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 11,\r\n      \"attid\": 6913,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2024\/08\/8A_AS-GOOD-AS-GOLD.jpg\",\r\n        \"_1280\": \"\/wp-content\/uploads\/2024\/08\/8A_AS-GOOD-AS-GOLD-1280x858.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2024\/08\/8A_AS-GOOD-AS-GOLD-1024x686.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2024\/08\/8A_AS-GOOD-AS-GOLD-768x515.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2024\/08\/8A_AS-GOOD-AS-GOLD-512x343.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2024\/08\/8A_AS-GOOD-AS-GOLD-265x178.jpg\"\r\n      },\r\n      \"w\": 1858,\r\n      \"h\": 1245,\r\n      \"ar\": 0.670075349838536,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"caption\": \"<p class=\\\"_Extrainfo\\\"><strong>AS GOOD AS GOLD<\/strong><\/p><p class=\\\"_Extrainfo\\\">2014, immersive Installation with five elements: light, marble, rubber, jute, flour, wood, glitter, sound, courtesy the artist<\/p>\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2024\/08\/9A_TRINITY.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 5,\r\n      \"col\": 4,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 12,\r\n      \"attid\": 6914,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2024\/08\/9A_TRINITY.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2024\/08\/9A_TRINITY-768x1151.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2024\/08\/9A_TRINITY-512x767.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2024\/08\/9A_TRINITY-265x397.jpg\"\r\n      },\r\n      \"w\": 829,\r\n      \"h\": 1242,\r\n      \"ar\": 1.4981905910735827,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"caption\": \"<p class=\\\"_Extrainfo\\\"><strong>TRINITY, TRIANGLE, THREESOME no. 2<\/strong><\/p><p class=\\\"_Extrainfo\\\">2020, installation: transformed vintage black leather jackets, oil paint, acrylic paint, three vintage tripods<\/p><p class=\\\"_Extrainfo\\\">Photos: Isabelle Arthuis, <span>courtesy<\/span>\u00a0the artists and Suprainfinit Gallery (Bucharest)<\/p>\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2024\/08\/6A_exhibition-view-seris.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 5,\r\n      \"col\": 6,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 16,\r\n      \"attid\": 6911,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2024\/08\/6A_exhibition-view-seris.jpg\",\r\n        \"_1280\": \"\/wp-content\/uploads\/2024\/08\/6A_exhibition-view-seris-1280x841.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2024\/08\/6A_exhibition-view-seris-1024x673.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2024\/08\/6A_exhibition-view-seris-768x505.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2024\/08\/6A_exhibition-view-seris-512x337.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2024\/08\/6A_exhibition-view-seris-265x174.jpg\"\r\n      },\r\n      \"w\": 1865,\r\n      \"h\": 1226,\r\n      \"ar\": 0.657372654155496,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\",\r\n      \"caption\": \"<p class=\\\"_Extrainfo\\\"><strong>exhibition view\u00a0M series (speculative still life)<\/strong><\/p><p class=\\\"_Extrainfo\\\">2016, installation \/ each: textile, acrylic and UV paint, neon UV light, 148 x 100cm, neon 60cm,\u00a0<\/p><p class=\\\"_Extrainfo\\\">photo: <span>Ioana<\/span>\u00a0<span>Parvan<\/span>,\u00a0<span>courtesy<\/span>\u00a0the artists and Suprainfinit Gallery<\/p>\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2024\/08\/10A_Sex-tape.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 5,\r\n      \"col\": 10,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 17,\r\n      \"attid\": 6915,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2024\/08\/10A_Sex-tape.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2024\/08\/10A_Sex-tape-768x1022.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2024\/08\/10A_Sex-tape-512x681.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2024\/08\/10A_Sex-tape-265x353.jpg\"\r\n      },\r\n      \"w\": 929,\r\n      \"h\": 1236,\r\n      \"ar\": 1.3304628632938644,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\",\r\n      \"caption\": \"<p class=\\\"_Extrainfo\\\"><strong>Sex\u00a0Tape\u00a0VIII (Atletica Ideal\u00a0<sup>x<\/sup>\u00a0The Scream<em>\u00a0<\/em>by\u00a0Edvard Munch)<\/strong><\/p><p class=\\\"_Extrainfo\\\">2022, still from video, courtesy the artists and Suprainfinit Gallery<\/p>\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"text-decoration: underline;\\\">Project during the Borderland Residency<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 28,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 7,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 136,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 1,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"layoutType\": \"masonry\",\r\n        \"elements\": [\r\n          {\r\n            \"cont\": \"<p class=\\\"_Extrainfo\\\"><u>Year of participation<\/u><\/p><p class=\\\"_Extrainfo\\\">2024<\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"cont\": \"<p>Fueled by the very specific context of Ludwig Forum Aachen, during the residency Apparatus 22 collective will work on a set of major questions in their long term \u201cPositive Tension (in the air)\u201d series aiming to open critical conversations and peculiar thinking, daydreaming and changing processes about art institutions.<\/p>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Extrainfo\\\"><span><span style=\\\"text-decoration: underline;\\\">Instagram<\/span><br \/><a href=\\\"https:\/\/instagram.com\/hasmik_tangyan\/?locale=de&amp;hl=am-et\\\"><\/a><\/span><a href=\\\"https:\/\/vimeo.com\/428543493\\\" data-id=\\\"0\\\"><\/a> Dragos Olea: <a href=\\\"https:\/\/www.instagram.com\/dragosolea\/\\\" data-id=\\\"0\\\">@dragosolea<\/a><br \/>Erika Olea: <a href=\\\"https:\/\/www.instagram.com\/erikaolea_xyz\/\\\">@erikaolea_xyz<\/a><br \/>Maria Farkas: <a href=\\\"https:\/\/www.instagram.com\/_misha_shura\/\\\">@_misha_shura<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 8,\r\n      \"col\": 0,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 29,\r\n      \"absolute_position\": false\r\n    }\r\n  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