{"id":6438,"date":"2023-08-14T09:17:34","date_gmt":"2023-08-14T07:17:34","guid":{"rendered":"https:\/\/old.borderland-residencies.eu\/?p=6438"},"modified":"2025-01-15T16:24:01","modified_gmt":"2025-01-15T15:24:01","slug":"zhixin-liao","status":"publish","type":"post","link":"https:\/\/old.borderland-residencies.eu\/en\/zhixin-liao\/","title":{"rendered":"Zhixin Liao"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":6439,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[27],"tags":[],"class_list":["post-6438","post","type-post","status-publish","has-post-thumbnail","hentry","category-artist"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Zhixin Liao - Borderland Residencies<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, 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\"\/wp-content\/uploads\/2023\/08\/Zhixin-Lao_Angus_AGOSSETSITE-archivist-trainee-in-La-Fonderie_2022.jpg\",\r\n            \"_2560\": \"\/wp-content\/uploads\/2023\/08\/Zhixin-Lao_Angus_AGOSSETSITE-archivist-trainee-in-La-Fonderie_2022-2560x1829.jpg\",\r\n            \"_1920\": \"\/wp-content\/uploads\/2023\/08\/Zhixin-Lao_Angus_AGOSSETSITE-archivist-trainee-in-La-Fonderie_2022-1920x1372.jpg\",\r\n            \"_1280\": \"\/wp-content\/uploads\/2023\/08\/Zhixin-Lao_Angus_AGOSSETSITE-archivist-trainee-in-La-Fonderie_2022-1280x914.jpg\",\r\n            \"_1024\": \"\/wp-content\/uploads\/2023\/08\/Zhixin-Lao_Angus_AGOSSETSITE-archivist-trainee-in-La-Fonderie_2022-1024x731.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2023\/08\/Zhixin-Lao_Angus_AGOSSETSITE-archivist-trainee-in-La-Fonderie_2022-768x549.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2023\/08\/Zhixin-Lao_Angus_AGOSSETSITE-archivist-trainee-in-La-Fonderie_2022-512x366.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2023\/08\/Zhixin-Lao_Angus_AGOSSETSITE-archivist-trainee-in-La-Fonderie_2022-265x189.jpg\"\r\n          },\r\n          \"w\": 3000,\r\n          \"h\": 2143,\r\n          \"ar\": 0.7143333333333334,\r\n          \"alt\": \"\",\r\n          \"absolute_position\": false,\r\n          \"lightbox_caption\": \"<p class=\\\"_Extrainfo\\\">Zhixin Liao, AGOSSETSITE - Archivist Trainee in La Fonderie (details), 2022<\/p>\"\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 8,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 25,\r\n      \"frameOverflow\": \"\",\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h2 class=\\\"_H2_Underlined\\\">Artistic Method<\/h2>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 24,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 27,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 3,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 0\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 3,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 1,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"layoutType\": \"masonry\",\r\n        \"elements\": [\r\n          {\r\n            \"cont\": \"<p class=\\\"_Extrainfo\\\"><span style=\\\"text-decoration: underline;\\\">Disciplines<\/span><\/p><p class=\\\"_Extrainfo\\\">painting, installation, video, text<\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 6441,\r\n            \"cont\": \"\/wp-content\/uploads\/2023\/08\/Zhixin-LAo_Angus_project-Gent-Terneuzen2021-2022.jpg\",\r\n            \"sizes\": {\r\n              \"full\": \"\/wp-content\/uploads\/2023\/08\/Zhixin-LAo_Angus_project-Gent-Terneuzen2021-2022.jpg\",\r\n              \"_2560\": \"\/wp-content\/uploads\/2023\/08\/Zhixin-LAo_Angus_project-Gent-Terneuzen2021-2022-2560x1707.jpg\",\r\n              \"_1920\": \"\/wp-content\/uploads\/2023\/08\/Zhixin-LAo_Angus_project-Gent-Terneuzen2021-2022-1920x1280.jpg\",\r\n              \"_1280\": \"\/wp-content\/uploads\/2023\/08\/Zhixin-LAo_Angus_project-Gent-Terneuzen2021-2022-1280x853.jpg\",\r\n              \"_1024\": \"\/wp-content\/uploads\/2023\/08\/Zhixin-LAo_Angus_project-Gent-Terneuzen2021-2022-1024x683.jpg\",\r\n              \"_768\": \"\/wp-content\/uploads\/2023\/08\/Zhixin-LAo_Angus_project-Gent-Terneuzen2021-2022-768x512.jpg\",\r\n              \"_512\": \"\/wp-content\/uploads\/2023\/08\/Zhixin-LAo_Angus_project-Gent-Terneuzen2021-2022-512x341.jpg\",\r\n              \"_265\": \"\/wp-content\/uploads\/2023\/08\/Zhixin-LAo_Angus_project-Gent-Terneuzen2021-2022-265x177.jpg\"\r\n            },\r\n            \"w\": 3000,\r\n            \"h\": 2000,\r\n            \"ar\": 0.6666666666666666,\r\n            \"alt\": \"\",\r\n            \"lightbox_caption\": \"<p class=\\\"_Extrainfo\\\">Zhixin Liao, Gent-Terneuzen, 2021-2022<br \/><br \/><\/p>\"\r\n          },\r\n          {\r\n            \"cont\": \"<p>I use multi-disciplinary practices to draw attention to the inaccuracies between individual experiences and situations, concepts and materials. Producing and mimicking things is not just a consequence of thinking, but a physical process that allows room for something else to happen afterward. I am looking for the interval separating perception and site-specific contexts (e.g., situational, political, metaphorical) based on various field studies where<br \/>misunderstanding and obscurity are unintentional albeit inevitable factors. In recent years, I have been fascinated by my status as a migrant in Europe, and I use this experience of displacement to reconstruct the relevancy of surrounding events, historical archives, and different bureaus.<\/p>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"classes\": \"floatimg right\",\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h2 class=\\\"_H2_Underlined\\\">Project during Borderland Residence<\/h2>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 28,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 136,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"tablet\": {\r\n          \"colCount\": 2,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"phone\": {\r\n          \"colCount\": 1,\r\n          \"colGutter\": 1,\r\n          \"rowGutter\": 1\r\n        },\r\n        \"layoutType\": \"masonry\",\r\n        \"elements\": [\r\n          {\r\n            \"cont\": \"<p class=\\\"_Extrainfo\\\"><u>Year of participation<\/u><\/p><p class=\\\"_Extrainfo\\\">2023<\/p>\",\r\n            \"type\": \"text\"\r\n          },\r\n          {\r\n            \"cont\": \"<p>Collective memories, buried and unknown, can start to bubble up from your subconscious. If you get in touch with the past, the relationship will grow stronger, even if you are from somewhere else. Blocked by the distance of time and yet still alive when you re-encounter them, they can be momentary flashes in your life. But how do we relate to experiencing glimpses of unknown histories today? What would such an encounter mean for our lives?<br \/>Somehow, I think that the pandemic period is a trigger. It makes us pause, revisit and rethink<br \/>our rational society under the legacy of modernity.<br \/>During the residency project, I will keep the connection between my \u2018migrant\u2019 life and my research into border cities to develop my artistic project: <em>U R Taking the Risk<\/em>. I am looking to develop a new understanding of local history archives in post-pandemic times. The border<br \/>checkpoint on the E314 highway is my starting point; I am looking for a way to engage with<br \/>the city archives, the Gemeente, and the museums of Heerlen and Aachen. I seek to draw a relation between the checkpoint and the surrounding area and landscape, like the Forum Avantis Park, to propose alternative stories (through drawings, installations, or videos) that come together as a site-specific artistic response.<\/p>\",\r\n            \"type\": \"text\"\r\n          }\r\n        ]\r\n      },\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Extrainfo\\\"><span style=\\\"text-decoration: underline;\\\">Website<\/span><\/p><p class=\\\"_Extrainfo\\\"><span><a rel=\\\"noopener\\\" href=\\\"http:\/\/www.liao-zhixin.com\\\" target=\\\"_blank\\\" data-id=\\\"0\\\">www.liao-zhixin.com<\/a><\/span><\/p><p class=\\\"_Extrainfo\\\"><span style=\\\"text-decoration: underline;\\\">Instagram<\/span><\/p><p class=\\\"_Extrainfo\\\"><a rel=\\\"noopener\\\" href=\\\"https:\/\/www.instagram.com\/angus_zhixin\\\" target=\\\"_blank\\\">@angus_zhixin<\/a><\/p><p class=\\\"_Extrainfo\\\"><a rel=\\\"noopener\\\" href=\\\"https:\/\/www.instagram.com\/angus_nonex\/\\\" target=\\\"_blank\\\">@angus_nonex<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 29,\r\n      \"absolute_position\": false\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/posts\/6438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/comments?post=6438"}],"version-history":[{"count":0,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/posts\/6438\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/media\/6439"}],"wp:attachment":[{"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/media?parent=6438"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/categories?post=6438"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/old.borderland-residencies.eu\/en\/wp-json\/wp\/v2\/tags?post=6438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}