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\"colGutter\": 1,\r\n \"rowGutter\": 1\r\n },\r\n \"tablet\": {\r\n \"colCount\": 2,\r\n \"colGutter\": 1,\r\n \"rowGutter\": 1\r\n },\r\n \"phone\": {\r\n \"colCount\": 1,\r\n \"colGutter\": 1,\r\n \"rowGutter\": 1\r\n },\r\n \"layoutType\": \"masonry\",\r\n \"elements\": [\r\n {\r\n \"cont\": \"<p class=\\\"_Extrainfo\\\"><span style=\\\"text-decoration: underline;\\\">Date<\/span><\/p><p class=\\\"_Extrainfo\\\">October 26th\/27th<\/p><p class=\\\"_Extrainfo\\\">Tagebau Garzweiler, L\u00fctzeratzh,<\/p><p class=\\\"_Extrainfo\\\">Hochneukirch-J\u00fcchen, Heerlen<\/p>\",\r\n \"type\": \"text\"\r\n },\r\n {\r\n \"cont\": \"<p class=\\\"_Extrainfo\\\"><span style=\\\"font-size: 25px;\\\">The history of the planet earth, of its plant, animal and human inhabitants lies hidden in the soil. Sometimes, it becomes visible in the form of archaeological or geological findings: witnesses of what once lived above the ground and a true treasure to their finders. Fossil energy sources are still considered to be one of those treasures \u2013 but not because of what they tell us about the past, but because of their economic value in the present and the future.<\/span><\/p><p class=\\\"_Extrainfo\\\"><span style=\\\"font-size: 25px;\\\">The coal that is extracted in the Rhine area originates from plants that grew there 5 to 25 million years ago. It can teach us a lot about what our planet looked like all those millions of years ago. And it determines what it has come to look like today.<\/span><\/p>\",\r\n \"type\": \"text\"\r\n }\r\n ]\r\n },\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/11\/Art-Underground-9-c-David-Camargo.jpg\",\r\n \"align\": \"onethird\",\r\n \"row\": 4,\r\n \"col\": 4,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 4,\r\n \"relid\": 411,\r\n \"attid\": 6265,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/11\/Art-Underground-9-c-David-Camargo.jpg\",\r\n \"_4096\": \"\/wp-content\/uploads\/2022\/11\/Art-Underground-9-c-David-Camargo-4096x2305.jpg\",\r\n \"_3840\": \"\/wp-content\/uploads\/2022\/11\/Art-Underground-9-c-David-Camargo-3840x2161.jpg\",\r\n \"_3200\": \"\/wp-content\/uploads\/2022\/11\/Art-Underground-9-c-David-Camargo-3200x1801.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/11\/Art-Underground-9-c-David-Camargo-2560x1440.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/11\/Art-Underground-9-c-David-Camargo-1920x1080.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/11\/Art-Underground-9-c-David-Camargo-1280x720.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/11\/Art-Underground-9-c-David-Camargo-1024x576.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/11\/Art-Underground-9-c-David-Camargo-768x432.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/11\/Art-Underground-9-c-David-Camargo-512x288.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/11\/Art-Underground-9-c-David-Camargo-265x149.jpg\"\r\n },\r\n \"w\": 6000,\r\n \"h\": 3376,\r\n \"ar\": 0.5626666666666666,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p class=\\\"_Extrainfo\\\"><span style=\\\"font-size: 25px;\\\">Tagebau Garzweiler lies in the very centre of the opening pit mining area in the Rhineland. Situated close to M\u00f6nchengladbach, the surrounding landscape is nothing out of the ordinary in this region: the plain land of the river delta, a motorway, a few forests, but mainly fields and smaller villages. And then there is the pit.<\/span><\/p><p class=\\\"_Extrainfo\\\"><span style=\\\"font-size: 25px;\\\">The group of Borderland Residencies artists and curators visited the Garzweiler area in late October. The excursion started at the Skywalk viewing platform right above the pit. There, the group met with Matthias Jung, a photographer who has worked around the mining area for many years and documented the changing of the area in his work. He guided the group on their day in and around Garzweiler.<\/span><br \/><span style=\\\"font-size: 25px;\\\">For many participants, it was the first time they ever saw an open pit mine up close. The sight of the hole is nothing less than impressive, but also hard to grasp, even when standing on the platform right above it. Looking down, digging machines of over 100 meters in size can be seen \u2013 mechanical monsters, yet dwarfed by the enormity of the hole they sit in.<\/span><\/p><p class=\\\"_Extrainfo\\\"><span style=\\\"font-size: 25px;\\\">Normally, the viewing platform is as close as anyone can get to the pit. But in the village of L\u00fctzerath \u2013 the last village in the area that will be excavated for the mining \u2013, climate activists have built a camp right next to it. For them, it has become both a place of resistance as much as a home. They also organized a vigil for L\u00fctzerath, an official and legal form of protest against the excavation of the village. The Borderland group visited the vigil after starting at Skywalk viewing platform. There, they were able to talk to some of the activists and learned about the plurality of the activist scene, their goals, and got a glimpse of what it means to dedicate your life to climate activism. What really stuck with the group was their way of living: to be willing to abdicate all comforts and safeties of civil life, but also experiencing a non-hierarchical alternative to life in a capitalist, performance-orientated society.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 5,\r\n \"col\": 0,\r\n \"colspan\": 16,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 25,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/11\/IMG_5428.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 6,\r\n \"col\": 0,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 410,\r\n \"attid\": 6285,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/11\/IMG_5428.jpg\",\r\n \"_3840\": \"\/wp-content\/uploads\/2022\/11\/IMG_5428-3840x2880.jpg\",\r\n \"_3200\": \"\/wp-content\/uploads\/2022\/11\/IMG_5428-3200x2400.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/11\/IMG_5428-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/11\/IMG_5428-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/11\/IMG_5428-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/11\/IMG_5428-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/11\/IMG_5428-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/11\/IMG_5428-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/11\/IMG_5428-265x199.jpg\"\r\n },\r\n \"w\": 4032,\r\n \"h\": 3024,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"lightbox_caption\": \"<p class=\\\"_Extrainfo\\\"><span style=\\\"font-size: 10px;\\\">\u00a9 Borderland Residencies<\/span><\/p>\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/11\/IMG_5414.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 6,\r\n \"col\": 8,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 638,\r\n \"attid\": 6277,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/11\/IMG_5414.jpg\",\r\n \"_3840\": \"\/wp-content\/uploads\/2022\/11\/IMG_5414-3840x2880.jpg\",\r\n \"_3200\": \"\/wp-content\/uploads\/2022\/11\/IMG_5414-3200x2400.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/11\/IMG_5414-2560x1920.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/11\/IMG_5414-1920x1440.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/11\/IMG_5414-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/11\/IMG_5414-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/11\/IMG_5414-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/11\/IMG_5414-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/11\/IMG_5414-265x199.jpg\"\r\n },\r\n \"w\": 4032,\r\n \"h\": 3024,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"lightbox_caption\": \"<p class=\\\"_Extrainfo\\\"><span style=\\\"font-size: 10px;\\\">\u00a9 Borderland Residencies<\/span><\/p>\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p class=\\\"_Extrainfo\\\"><span style=\\\"font-size: 25px;\\\">Still, the activist camp in L\u00fctzerath is more a means of awareness-raising for environmental protection than it is representative for the lives and opinions of the people and families that live in the mining area. Over the past 40 years, not only buildings and farm land had to yield to the mines, but primarily the people and animals who lived there. One of them is Inge Broska, who originally comes from the no longer existing village of Otzenrath. After the excavation of her home, she has relocated to J\u00fcchen-Hochneukirch. It was then that she started to collect relicts from the destroyed localities. Today, she calls her home in J\u00fcchen-Hochneukirch a \u201cHausmuseum\u201d \u2013 a house museum where she preserves artefacts of her childhood home.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 7,\r\n \"col\": 0,\r\n \"colspan\": 16,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 27,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-7003.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 8,\r\n \"col\": 3,\r\n \"colspan\": 10,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 3,\r\n \"relid\": 645,\r\n \"attid\": 6260,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-7003.jpg\",\r\n \"_3200\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-7003-3200x2133.jpg\",\r\n \"_2560\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-7003-2560x1707.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-7003-1920x1280.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-7003-1280x853.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-7003-1024x683.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-7003-768x512.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-7003-512x341.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-7003-265x177.jpg\"\r\n },\r\n \"w\": 3543,\r\n \"h\": 2362,\r\n \"ar\": 0.6666666666666666,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"lightbox_caption\": \"<p class=\\\"_Extrainfo\\\"><span style=\\\"font-size: 10px;\\\">The Borderland group at Inge Broska's Hausmuseum \u00a9 Thekla Ehling<\/span><\/p>\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p class=\\\"_Extrainfo\\\"><span style=\\\"font-size: 25px;\\\">In 2022, the Hausmuseum is also part of the Borderland Residencies network. From September to November, sound artist Frauke Berg and visual artist Elisa Verkoelen are artists in residence at the Hausmuseum. Together with Inga Schneider and Jan Lemitz, both curators at Hausmusen, they assisted Inge in welcoming the Borderland group which included a lot of coffee, tea and cake as well as a tour through her museum.<\/span><\/p>\",\r\n \"align\": \"onethird\",\r\n \"row\": 9,\r\n \"col\": 0,\r\n \"colspan\": 16,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 28,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"carousel\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 10,\r\n \"col\": 0,\r\n \"colspan\": 16,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1316,\r\n \"carousel_options\": {\r\n \"random\": false,\r\n \"autoplay\": false,\r\n \"showMultipleSlides\": true,\r\n \"freeScroll\": false,\r\n \"mousewheelScroll\": false,\r\n \"size\": \"fixedHeight\",\r\n \"slidesWidth\": \"null\",\r\n \"transition\": \"sliding\",\r\n \"loop\": false,\r\n \"spaceBetween\": 30,\r\n \"captionsUnderSlides\": false,\r\n \"autoplaySpeed\": 2000,\r\n \"autoplayDelay\": 0,\r\n \"transitionSpeed\": 300,\r\n \"fixedHeight\": \"70vh\",\r\n \"fillSlides\": false,\r\n \"disableClick\": false\r\n },\r\n \"carousel\": [\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 6246,\r\n \"cont\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-6961.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-6961.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-6961-1920x2880.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-6961-1280x1920.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-6961-1024x1536.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-6961-768x1152.jpg\",\r\n \"_512\": 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{\r\n \"type\": \"img\",\r\n \"attid\": 6251,\r\n \"cont\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-6974.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-6974.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-6974-1920x2880.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-6974-1280x1920.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-6974-1024x1536.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-6974-768x1152.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-6974-512x768.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2022\/11\/cthekla_ehling-22-6974-265x398.jpg\"\r\n },\r\n \"w\": 2362,\r\n \"h\": 3543,\r\n \"ar\": 1.5,\r\n \"alt\": \"\"\r\n }\r\n ],\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p class=\\\"_Extrainfo\\\"><span style=\\\"font-size: 15px;\\\">pictures above \u00a9 Thekla Ehling<\/span><\/p>\",\r\n \"align\": \"twothirds\",\r\n \"row\": 11,\r\n \"col\": 0,\r\n \"colspan\": 16,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 24,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p class=\\\"_Extrainfo\\\"><span style=\\\"font-size: 25px;\\\">After the day in the Garzweiler area, the Borderland group travelled to Heerlen (NL) where another partner of the network gave them a warm welcome. The team of the exhibition and residency space Greylight Projects invited the borderlanders to dinner before the group returned the next day to visit the studios of Borderland artists Ben Weir and Kenneth Moreno-Kiernan. During their residencies at Greylight Projects, they both worked on side specific pieces that are linked to their residency in Heerlen. Weir researched buildings that were designed by Heerlen\u2019s \u201clocal hero architect\u201d Frits Peutz. He takes specific elements of Peutz\u2019s architecture \u2013 like an unusual angle of a house that shows no apparent function \u2013 and transforms their shape into something new. For his residency in Heerlen, he chose to design a lamp that is based on a house in Heerlen that Peutz built.<\/span><br \/><span style=\\\"font-size: 25px;\\\">The residency project of Kenneth Moreno-Kiernan takes another approach to his host town. Heerlen was heavily affected by the flood in 2021 which motivated Moreno-Kiernan to research water in Heerlen in general, but more specifically the movement and flow of water. He created clay vessels to better understand the process of retrieving water from a well and will work from this point onward.<\/span><\/p><p class=\\\"_Extrainfo\\\">\u00a0<\/p><p class=\\\"_Extrainfo\\\"><span style=\\\"font-size: 25px;\\\">After that, Wouter Huis from Greylight Projects gave a tour of the building that was a school before it became a home for art, followed by a guided walk through the neighbourhood of Greylight Projects in Heerlen. When learning about the history of the city, a continuity from the day before became apparent: In the 20<sup>th<\/sup> century, coal was extracted right in the municipal area of Heerlen. Today, most of the remaining mine building have been deconstructed. 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Over hundreds of years, it has not only determined the outer appearance of the region, but the lives of thousands of people who lived and worked with the coal. Even when, in some places, the traces of that industry have <\/span><span style=\\\"font-size: 25px;\\\">disappeared along with the coal, they still remain. 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